LAT	RTMC	RTC
documentary
Planet of Snail	yes	100	100	*simple, direct and magical
How to Survive a Plague	yes	100	100	1980s Greenwich Village while it was in the grip of the AIDS crisis.
They Call It Myanmar: Lifting the Curtain	yes	100	100	as quietly enthralling as Myanmar's people.
Beauty Is Embarrassing	yes	100		an entertaining portrait of pop art's Wayne White.
5 Broken Cameras	yes	96	92	raw[,] … lyrical and elegiac
The House I Live In	yes	92	93	calls for cease-fire in war on drugs
Diana Vreeland: The Eye Has to Travel	yes	91	93	unfolds in grand fashion
Somewhere Between	yes	91	80	a moving account of teen adoptees
The Waiting Room	yes	90	100	a hospital and its patients struggle to survive.
Wild Horse, Wild Ride	yes	89	100	proves a warm and memorable ride.
The Other Dream Team	yes	89	100	Lithuanian pride on the basketball court
We Women Warriors	yes	86		captures the heroism of native women in Colombia
Detropia	yes	81	80	the economically ravaged Motor City of Detroit
The Ambassador	yes	80	89	*Part muckraking nonfiction film, part performance piece
Escape Fire: The Fight to Rescue American Healthcare	yes	78	60	Cogent, convincing, determinedly non-ideological
Doctored	yes	57		involving, well-crafted, humane
Words of Witness	yes			[a] crucial story of modern revolution
The Right to Love: An American Family	yes			marriage equality
Harvest of Empire	yes			sows seeds of debate
The Iran Job	yes			exceptional in its storytelling
Fame High	yes			the kids in "Fame High" will stay with you.
Ethel	yes			chronicles the life of Ethel Skakel Kennedy
Girl Model	so-so	91	71	The nonaggressive approach can be frustrating
Hellbound?	so-so	67		manages to be provocative
Downtown Express	so-so	60	60	looks and sounds good, but the writing and acting hit sour notes.
Of Two Minds	so-so			has a tendency to take unnecessary detours
Life Is Strange	so-so			has many failings but still manages to be effective
Electoral Dysfunction	so-so			too lightweight and coy for genuine effect.
Tears of Gaza	no	86		leaves too much unsaid
Step Up to the Plate	no	68	78	missing a few ingredients
Love Free or Die	no	67		fails to deliver deeper insights
Decoding Deepak	no	50	60	precious little table-turning or real insight
Mulberry Child	no	33		an awkward mix of real events and reenactments
Blinky & Me	no			documentary about animator Yoram Gross
Hollywood to Dollywood	no			for Dolly Parton fans only
animated
Toys in the Attic	yes	73		*Whimsy and menace
Frankenweenie	so-so	85	85	*another Tim Burton stop-action horror flick
Hotel Transylvania	so-so	44	38	It should have resulted in funnier fare.
regular movies
The Thieves	yes	100		a stylish mix of light romance and dark crime caper.
Looper	yes	94	95	*coolly smart, head-spinning
Argo	yes	94	95	*based on a true story … well acted and directed
Compliance	yes	88	88	taut and unsettling
Robot & Frank	yes	88	86	*Charming, playful and sly
Sleepwalk With Me	yes	88	82	a funny take on relationships
The Trouble With the Truth	yes	88		an equitable, tender, sometimes surprising game of hard truth-telling
Keep the Lights On	yes	87	92	a romance between two men
The Master	yes	87	92	*bristling with vivid moments and unbeatable acting
End of Watch	yes	85	89	gritty, humorous and moving
Arbitrage	yes	84	83	a sophisticated swing at a hedge-fund magnate
Middle of Nowhere	yes	83	70	deft, moving and complex
The Hole	yes	81		scary fun; dive in
Alps	yes	79	67	a landscape of altered reality
Premium Rush	yes	74	82	*a tightly wound, radically fresh slice of street action
Sinister	yes	62	48	*delivers authentic chills
Solomon Kane	yes	62	40	*gets action-adventure just right
Trouble With the Curve	yes	54	58	amiable, old-fashioned
The Good Doctor	yes	53	71	creepy and cool
Hermano	yes	50		Soccer meets street life in this familiar but winning Venezuelan film.
Vulgaria	yes	44		sees modern life in wise if raunchy ways
The Paperboy	yes	39	55	*a dark, angrily steaming tale
The Possession	yes	38	38	*A better-than-most fright-time tale
Brooklyn Brothers Beat the Best	yes	35		a charming indie ode to musical dreams
Now, Forager	yes	20		an authentic portrayal of harvesting and cooking
Taken 2	yes	19	30	revenge, action, violence, Liam Neeson
Backwards	yes	14	11	is a warm film about competitive rowing
Masquerade	yes			a fanciful but entertaining bit of court intrigue.
Fat Kid Rules the World	so-so	94	88	endearingly uneven
The Master	so-so	85	84	cryptic to no good end
The Perks of Being a Wallflower	so-so	84	83	A bit unsteady but winsome
Smashed	so-so	82	80	offers nothing new to say about alcohol addiction
Samsara	so-so	82	63	a frustrating beauty
Wuthering Heights	so-so	76	71	a stark, muddied affair
Hello I Must Be Going	so-so	75	85	lets us down in the second half
Pitch Perfect	so-so	74	77	essentially a college version of 'Glee'
The Flying Swords of Dragon Gate	so-so	74	71	overstuffed with plot and characters
17 Girls	so-so	65	56	atmospheric but thin fiction
10 Years	so-so	63	67	there's a lot of been-there, done-that going on.
Liberal Arts	so-so	61	50	gets a C
Stars in Shorts	so-so	58	67	none of the shorts is groundbreaking, but none is terrible either.
The Eye of the Storm	so-so	58	42	off-and-on impressive
Little Birds	so-so	50	60	promising and frustrating
War of the Buttons	so-so	23	17	never ventures far afield in this take on the French Resistance
My Uncle Rafael	so-so	20		elicits plenty of goofy chuckles
Home Run Showdown	so-so			an amiable sports-as-life throwback
Pickin' and Grinnin	so-so			not without its raggedy charms and sporadic chuckles
West of Thunder	so-so			curiously engaging, despite flaws.
Almost Perfect	so-so			lacks oomph
The Bullet Vanishes	no	91	80	No story but lots of action
Seven Psychopaths	no	84	73	can't handle its own crazy
Fred Won't Move Out	no	80	80	neither here nor there
Chicken With Plums	no	77	82	half-baked
Dredd 3D	no	76	64	a clunk-headed action picture.
Unconditional	no	67	60	gets bogged down in platitudes
Lawless	no	65	54	is a bloody, cliched mess
Red Hook Summer	no	63	53	fizzles as much as it fumes
Bachelorette	no	54	54	a caustic, drunken tragedy — with lipstick
The Inbetweeners	no	52	45	just another bawdy spring break movie
V/H/S	no	52	42	punctures a hole in itself, causing ambience bleed-out
The Tall Man	no	50	29	one tall tale too many
Bait	no	50		sounds tempting but is mostly blah
Here Comes the Boom	no	44	24	no knockout
Little White Lies	no	42	15	overstays its welcome and squanders its talented cast
Frankie Go Boom	no	38	44	is more 'Frankie Go Bust'
Starry Starry Night	no	38		skims the surface
Butter	no	35	26	butter sculpture
Won't Back Down	no	34	18	blames a teachers union for a failing school
The Oogieloves	no	33	33	ineffectual and disengaging
Resident Evil: Retribution	no	32	18	zombies, slaughter and hyperviolent sci-fi
Special Forces	no	18	17	More video game than cinema
Supercapitalist	no	18	0	dull, hectoring
The Words	no	17	18	can't add up to much of a film
Excuse Me for Living	no	14	14	a comedy that only an old, out-of-touch billionaire could love.
Branded	no	13		convoluted and pretentious
House at the End of the Street	no	12	18	why all the teen melodrama?
The Victim	no	11		a cringeworthy thriller that has nothing going for it.
The Cold Light of Day	no	7	0	a thriller that lacks suspense
The Apparition	no	3	14	lacking either body heat or visceral suspense.
Atlas Shrugged Part II: The Strike	no	0	0	blandly mediocre
Last Ounce of Courage	no	0		weighed down by zealotry
You May Not Kiss the Bride	no	0		Rob Hedden's romantic comedy is really neither.
R2B	no			offers high-octane thrills but the storytelling stalls out.
Raaz 3	no			[Bollywood] cheesy movie horror
Blue Collar Boys	no			should just clock out
Barfi!	no			slapstick, pathos and, at times, grinding irritation
186 Dollars to Freedom	no			Sun, surf and a sexy girlfriend give way to why-me indignity
Just 45 Minutes From Broadway	no			an investment in theatrical self-indulgence with diminishing returns
Blues for Willadean	no			set among the beer-drinkin' denizens of a Texas trailer park
#HoldYourBreath	no			deserves a one-word tweet: don't