| LAT | RTMC | RTC | ||
| documentary | ||||
| 56 Up | yes | 100 | 100 | *"Seven Up" continued 49 years later |
| Sound City | yes | 100 | 100 | *homage to recording studio equipment |
| Girl Rising | yes | 100 | unforgiving obstacles faced by girls in developing countries | |
| Beware of Mr. Baker | yes | 97 | 93 | *a vivid portrait of a rock icon |
| One Life | yes | 95 | 100 | *an intimate look at the life cycles of animals around the world |
| West of Memphis | yes | 95 | 89 | *a 1993 triple murder probe got it wrong |
| Gregory Crewdson: Brief Encounters | yes | 93 | 100 | *an epic photo installation, "Beneath the Roses." |
| Koch | yes | 89 | 92 | neither fawning nor eviscerating but always compelling. |
| Happy People: A Year in the Taiga | yes | 88 | 93 | the people of Bakhta [,Siberia] |
| Bestiaire | yes | 88 | 88 | an instinctive world and one of human intervention. |
| A Place at the Table | yes | 86 | 88 | *examines hungry Americans' plight |
| Uprising | yes | 82 | 71 | the Egyptian revolution of early 2011 |
| Genius on Hold | yes | 80 | *unsung telecommunications inventor Walter Shaw | |
| Hitler's Children | yes | 77 | 67 | how descendants of key Nazis have grappled with their legacy. |
| Greedy Lying Bastards | yes | 75 | 69 | A timely debate on global warming |
| Let Fury Have the Hour | yes | 42 | 38 | the smart and inspiring |
| Sellebrity | yes | a vivid look at the megabucks industry of celebrity photography | ||
| Mondays at Racine | yes | an intimate and surprisingly uplifting portrait | ||
| Inocente | yes | the power of this 15-year-old teen's art and the power of her story | ||
| King's Point | yes | a Florida paradise … a garden of discontent | ||
| Redemption | yes | those who scratch out a living collecting bottles and cans in NYC | ||
| The Bitter Buddha | yes | Eddie Pepitone, the funniest stand-up comedian you've never heard of | ||
| Stuck | yes | a cogent push for adopting needy children from Third World countries | ||
| Don't Stop Believin': Everyman's Journey | so-so | 66 | 62 | a pleasant story of dreams coming true. |
| Young Turks | so-so | amateurish aesthetic noodlings | ||
| Open Heart | so-so | Rwanden children dying of rheumatic heart disease | ||
| Only the Young | no | 80 | never zero[s] in on an involving structure or narrative. | |
| FrackNation | no | 60 | a one-sided attack piece | |
| Mumia: Long Distance Revolutionary | no | 42 | 43 | skewed |
| animated | ||||
| Escape From Planet Earth | yes | 24 | 60 | *though it's not quite out of this world, it's still feel-good fun. |
| The Rabbi's Cat | so-so | 93 | 86 | wild and vivid, exceptionally talky |
| Walter & Tandoori's Christmas | so-so | Harmless if not particularly noteworthy | ||
| regular movies | ||||
| Resolution | yes | 100 | *a strangely tense [,horrifying] and humorous meta-narrative | |
| Barbara | yes | 95 | 100 | a doctor trying to maintain her humanity in East Germany |
| War Witch | yes | 94 | 100 | a girl in sub-Saharan Africa who is kidnapped by rebels |
| Caesar Must Die | yes | 93 | 92 | *Shakespeare like you've never seen |
| Yossi | yes | 93 | 90 | effortlessly affecting, graced with deadpan humor |
| Zero Dark Thirty | yes | 93 | 88 | *cinematic storytelling at its most effective |
| Tchoupitoulas | yes | 92 | 100 | *a jewel-bright whoosh of a ride through nighttime New Orleans |
| Amour | yes | 92 | 95 | *a perfect storm of a motion picture |
| Lore | yes | 90 | 100 | a distinct coming-of-age tale in Nazi Germany |
| No | yes | 89 | 87 | *tells a composite story about the vote that toppled Chile's Pinochet |
| Django Unchained | yes | 89 | 79 | *Tarantino unleashed |
| Beyond the Hills | yes | 88 | 86 | demanding but always engrossing |
| Side Effects | yes | 86 | 84 | is so well done that implausibility is irrelevant |
| The Silence | yes | 84 | 80 | chills us to the core not once but two times over. |
| Like Someone in Love | yes | 82 | 94 | elegant and mysterious |
| In Another Country | yes | 81 | 100 | a beguiling set of variations on a theme |
| The Impossible | yes | 80 | 77 | *the 2004 tsunami |
| Bless Me, Ultima | yes | 77 | 91 | *A deeply satisfying feat of storytelling |
| Les Miserables | yes | 72 | 63 | Vive 'Les Miserables' in all its over-the-top glory |
| Stoker | yes | 69 | 63 | *a darkly wicked, beautifully executed mystery |
| The Jeffrey Dahmer Files | yes | 67 | 75 | A hybrid of documentary and fiction |
| I Am Not a Hipster | yes | 60 | a film to relish | |
| The End of Love | yes | 57 | 44 | *an exceptionally intimate, human-scaled picture. |
| The Last Stand | yes | 57 | 42 | a movie content with just being good, old-fashioned fun. |
| Kai Po Che | yes | 57 | 40 | three male friends bonding through cricket |
| This Is 40 | yes | 50 | 53 | midlife crisis, laughs by Judd Apatow |
| The Sweeney | yes | 49 | 40 | a briskly involving British crime entertainment of the old school. |
| On the Road | yes | 46 | 42 | poetic adaptation of Jack Kerouac's novel |
| Beautiful Creatures | yes | 45 | 46 | *an intriguing, intelligent enigma |
| Matru Ki Bijlee Ka Mandola | yes | 33 | energetic, whimsical | |
| The Last Exorcism Part II | yes | 13 | 22 | *an effectively unnerving, slow-burn supernatural horror tale |
| War of the Worlds: The True Story | yes | *hugely inventive and ambitious concoction | ||
| Electrick Children | so-so | 85 | 100 | unevenly told and at times too fanciful for its own good |
| Warm Bodies | so-so | 76 | 63 | romantic schmaltz and horror cheese |
| The Monk | so-so | 64 | 44 | rich in atmospherics but threatens to tip into parody |
| Oz the Great and Powerful | so-so | 61 | 32 | a rough slog on the yellow brick road |
| John Dies at the End | so-so | 58 | 53 | an enjoyable but uneven genre experiment. |
| Would You Rather | so-so | 53 | 29 | hardly a most dangerous game night at the movies. |
| Clandestine Childhood | so-so | 50 | 43 | a sincere effort but also rather sincerely a meager one too. |
| The Playroom | so-so | 44 | 63 | often feels posed and inert [,but] strikes more than a few chords |
| Shanghai Calling | so-so | 42 | 50 | fish-out-of-water jokes, meet-cutes, silly coincidences, happy endings. |
| Parker | so-so | 38 | 39 | The violent film isn't without its 'huh?' moments |
| Phantom | so-so | 26 | 17 | a modest thriller … a strong cast and straightforward storytelling. |
| A Glimpse Inside the Mind of Charles Swan III | so-so | 12 | 21 | a noodling indulgence[,] alternately freewheeling and dead in the water |
| Whatcha Wearin' | so-so | a few hours of featherweight fun | ||
| Tabu | no | 85 | 78 | undercut by its own ambition |
| Jack Reacher | no | 61 | 37 | too much of a stretch for Tom Cruise |
| Cirque du Soleil: Worlds Away | no | 56 | 47 | mostly a pretense to show performances from seven Cirque shows. |
| Snitch | no | 54 | 54 | Too much talk and not enough action |
| Jack the Giant Slayer | no | 53 | 50 | Nothing magic about 'Jack the Giant Slayer' |
| Promised Land | no | 48 | 45 | a fight over fracking turns too gimmicky to finish satisfyingly. |
| Bullet to the Head | no | 47 | 46 | blunt, gleefully dumb |
| Dead Man Down | no | 38 | 22 | twists itself into knots |
| The Guilt Trip | no | 37 | 45 | Better they'd stayed home |
| Dark Skies | no | 36 | 25 | The plotting and focus are pretty spotty |
| LUV | no | 35 | 47 | trite machinations |
| Emperor | no | 35 | 23 | misplaced priorities |
| Let My People Go! | no | 33 | 13 | falls short of the intended hilarity |
| 21 and Over | no | 30 | 32 | celebrates selfishness, stupidity |
| Saving Lincoln | no | 29 | 0 | comes off as amateurish. |
| Identity Thief | no | 24 | 26 | The script for this revenge/road trip farce is a mess |
| Broken City | no | 24 | 23 | broken |
| Knife Fight | no | 24 | 22 | just plain dull |
| Struck by Lightning | no | 24 | 15 | a flat coming-of-age tale |
| The Berlin File | no | 22 | 20 | spy mission comes up short |
| Inescapable | no | 21 | 13 | full of flaws |
| Texas Chainsaw 3D | no | 20 | 11 | has little to offer beyond gore |
| Hansel & Gretel: Witch Hunters | no | 17 | 7 | isn't nearly as clever as the original tale |
| Parental Guidance | no | 16 | 33 | crass antics and far too little warmth. |
| A Good Day to Die Hard | no | 16 | 10 | an uninspired effort |
| Safe Haven | no | 13 | 10 | can't find refuge from a cheesy story |
| A Haunted House | no | 9 | 11 | a troubled parody of found-footage horror movies |
| Girls Against Boys | no | 8 | 8 | both sides lose |
| A Dark Truth | no | 8 | 0 | [an] unconvincing potboiler |
| Movie 43 | no | 3 | 8 | comedy shorts … short on comedy |
| Brief Reunion | no | 0 | 0 | unwinds as a boilerplate genre item. |
| The Condemned | no | 0 | A good idea for a ghost story is dead on arrival | |
| Guns, Girls and Gambling | no | doesn't add up to fun | ||
| Hidden Moon | no | Hokey romanticism and uninspired performances | ||
| The Tower | no | heavy on effects but thin on story | ||
| Officer Down | no | an unfocused jumble. | ||
| The Haunting in Connecticut 2: Ghosts of Georgia | no | at times nearly incoherent | ||
| Lost in Thailand | no | Jokes fly, but don't travel well | ||
| Power of Few | no | The story goes nowhere fast in this flat crime drama. | ||
| Camp | no | a bland, by-the-numbers approach to [its] vital subject | ||
| Almost in Love | no | fades in and out | ||
| I, Me Aur Main | no | Cookie-cutter moralizing |