LAT	RTMC	RTC
documentary
The Revolutionary Optimists	yes	100	100	tracking the lives of kids in Kolkata
Stolen Seas	yes	100	100	provides surprising details about the pirate trade
Free Angela and All Political Prisoners	yes	92	100	a composed look into the revolutionary spirit.
Hava Nagila	yes	85	78	the kudzu of Jewish music
Unmade in China	yes	83		making a motion picture in a language you do not speak
Hitler's Children	yes	80	71	disparate responses to a very particular sort of shame
No Place on Earth	yes	76	57	a gripping Holocaust survival tale
My Amityville Horror	yes	67		stands apart from most Amityville-alia
A Fierce Green Fire: The Battle for a Living Planet	yes	64	40	A kind of crash course in 50-plus years of environmentalism
Scatter My Ashes at Bergdorf's	yes	57	56	no mere window dressing
Rescue in the Philippines: Refuge From the Holocaust	yes			*a thorough look at a lesser-known chapter in Holocaust-era history
Tattoo Nation	yes			deftly chronicles the journey of modern tattoo artistry in the U.S.
Three Days (of Hamlet)	yes			high school English crossed with "Waiting for Guffman”
Numbered	yes			Auschwitz prisoners talk about the serial numbers on their left arms
The Typewriter (in the 21st Century)	yes			It's mostly enjoyable, but no interviews with naysayers?
Venus and Serena	so-so	85	82	fascinating if occasionally disjointed
The Source Family	so-so	67	67	Now there's a cult you don't want to join.
Reincarnated	so-so	24	25	Snoop Dogg's Jamaica trip
Babe's and Ricky's Inn	so-so			the story behind founder Mama Laura never comes into sharp focus.
André Gregory: Before and After Dinner	no	77	63	rangy survey of the eclectic actor
Leviathan	no	71	80	a strange and unsatisfying endurance test.
Bert Stern: Original Mad Man	no	20	17	it's not clear why we should bother listening in
Aroused	no	20	0	rarely goes beyond surface in profiling porn stars
Mindless Behavior: All Around the World	no			an acutely positioned marketing tool
War on Whistleblowers	no			fails to fully sound alarm
aminated
Consuming Spirits	yes	89	82	*a dark and kooky animated epic
From Up on Poppy Hill	yes	83	90	*a sweet triumph for Miyazaki duo
The Croods	no	67	69	lacks a spark of fire
Silver Circle	no	0		low-rent animation, blunt antigovernment jabs and robotic dialogue
regular movies
Mud	yes	98	96	*creatively rich and emotionally rewarding
Gimme the Loot	yes	94	94	*improbably enjoyable
The Sapphires	yes	93	100	plays like a good-time jukebox musical
Lore	yes	93	96	a potent [Holocaust] drama
The Angels' Share	yes	89	83	a wee dram of the good stuff...leaves a warm glow.
In the House	yes	87	77	an imaginative mentor-student tale
Graceland	yes	85	71	tense, twisty, with moral complexity and intriguing shades of gray
Upstream Color	yes	83	85	*part romance, part sci-fi and utterly original
Something in the Air	yes	82	92	scorching new coming-of-age drama
Sightseers	yes	81	69	A litterbug? Be very afraid.
Renoir	yes	80	85	a lush, involving film
The Story of Luke	yes	80		Autism: finds a humanizing lightness
Reality	yes	79	91	*An astute, dreamlike gut-punch
Eden	yes	79	75	A sobering thriller
Iron Man 3	yes	78	70	smartly reboots the suit midflight
The Place Beyond the Pines	yes	74	63	*intimate in its telling, sweeping in its issues, stumbles only occasionally
42	yes	73	68	survives the full-dress Hollywood biopic treatment
Ginger & Rosa	yes	71	92	a teen girl's fear about nuclear destruction
Violeta Went to Heaven	yes	70	60	intense and turbulent like Parra.
New World	yes	64	60	a tense crime-syndicate showdown
Evil Dead	yes	63	57	Remake: a gleeful, gory, goofy good time
The We and the I	yes	63	50	an exuberantly chaotic vision of a teenage moment
Oblivion	yes	59	54	*a sci-fi adventure to remember
Somebody Up There Likes Me	yes	57		easily inspires a deep sense of affection and connection
The Reluctant Fundamentalist	yes	55	56	an intricate and involving film
Aquí y Allá	yes	50	60	a man trying to do right in a world of ambitions and indignities,
He's Way More Famous Than You	yes	50		The farce is so light on its feet that it's buoyant.
The Lords of Salem	yes	42	41	will make you feel bad … But ... in a good way? … yes
To the Wonder	yes	41	40	calm seas, treacherous storms, incredible beauty and ... god
Peeples	yes	38	40	a refreshing and warm romantic comedy
Upside Down	yes	33	29	*worth the leap
And Now a Word From Our Sponsor	yes	10	14	An ad agency executive resurfaces speaking only in advertising slogans
Neighboring Sounds	yes			*mastery of pacing, theme and stylistic eccentricity
Filly Brown	yes			a fierce tale of a promising hip-hop rapper
The Crumbles	yes			elegant framing and affectionate location shooting
Kon-Tiki	yes			captures the journey in thrilling detail.
Love Is All You Need	so-so	75	67	might not have all you need, but … it has enough.
Antiviral	so-so	64	40	It's fascinating but not deep enough
Starbuck	so-so	63	64	amiable art-house fluff
Fists of Legend	so-so	60		overlong yet involving Korean actioner
Come Out and Play	so-so	56		a simple but eerie horror story.
The Company You Keep	so-so	55	52	political potboiler
Welcome to the Punch	so-so	54	22	derivative, dumb fun
Admission	so-so	43	31	a high-strung romantic comedy about college-track pressures.
Family Weekend	so-so	29	22	no worse than many of the dysfunctional family comedies
Molly's Theory of Relativity	so-so	14	17	in the end it tries too hard
Love and Honor	so-so	9	0	suffices as old-fashioned, pie-in-the-sky entertainment.
Better Mus' Come	so-so			a tad overstuffed, but never lacks for interest
Silver Case	so-so			pointless fun
Pawn	so-so			a mild thrill
My Brother the Devil	no	94	78	schematic storytelling
Blancanieves	no	92	100	visually impressive, but the plot isn't so pleasing.
Simon Killer	no	81	62	a creature so frightening...you just want him to go away.
Desperate Acts of Magic	no	71		conjures absurd love triangle
Spring Breakers	no	70	44	bongs, breasts and beat-driven boredom
Disconnect	no	68	69	cyberspace: the flick can't resist overheating
Wrong	no	67	54	doesn't feel right
Trance	no	67	52	overuse of feints and dodges
Greetings From Tim Buckley	no	65	75	many languid scenes and little narrative momentum
The Iceman	no	65	60	can't heat up
Paradise: Love	no	62	64	lacks a real purpose
Kiss of the Damned	no	59	50	a bit of handsome nonsense
Leonie	no	57	40	too seldom comes fully alive
Hunky Dory	no	56	44	feel-good treacle that saps the audience's energy
Detour	no	50	60	Nothing to do but wait
Olympus Has Fallen	no	50	43	doesn't add anything new to the genre
Home Run	no	50		overplays its morality pitch
The Great Gatsby	no	48	32	suffocates any dramatic interest the story might have generated.
Pain & Gain	no	47	47	bargain-budget, still excessive
Midnight's Children	no	43	29	Salman Rushdie's novel turns disappointingly literal in its film adaptation.
Mental	no	40	11	crazy quilt of a movie
The Incredible Burt Wonderstone	no	38	24	Neither as good as you might hope nor as dreadful as doubters may fear
Aftershock	no	38	20	should be enough to make anyone seek emergency relief.
The Call	no	37	43	Halle Berry is fierce in 'The Call,' but script needs 911
Tai Chi Hero	no	33	0	a nagging, cartoonish emptiness
The Numbers Station	no	29	40	a rote espionage flick
The Brass Teapot	no	29	27	Magic teapot: feels more like a stretched-out skit
G.I. Joe: Retaliation	no	29	21	Rescue mission needed
Everybody Has a Plan	no	27	60	a frustratingly dissipated movie
Arthur Newman	no	25	0	has good swing, doesn't follow through
Kill Hole	no	20		a muddled thriller about war veterans
Assault on Wall Street	no	20		shamelessly subpar melodrama
No One Lives	no	18	14	Blood, cheap tricks and regrettable acting flow freely.
Oconomowoc	no	17	0	alternates between the pointless and the elliptical
Tyler Perry's Temptation: Confessions of a Marriage Counselor	no	16	0	light comedy and heavy dramatic moralizing
Dorfman in Love	no	15	0	old-fashioned makeover movie
Language of a Broken Heart	no	13	20	Story rings false
The Host	no	12	17	limps along as alien tale fails to generate heat
If I Were You	no	10	14	strained, absurd marital farce
K-11	no	10	0	a dreary jailhouse drama
The Big Wedding	no	6	4	a talented cast wasted
6 Souls	no	5	0	Turgid...could use more personality
Scary Movie V	no	5	0	[The] strategy is to out-stupid the competition
Generation Um...	no	0	0	Disaffected lives devolve into oblivion
How Sweet It Is	no	0	0	squanders good talent
The Happy Poet	no			Slacker bliss in a tofu cart
Bob's New Suit	no			threadbare
Paris-Manhattan	no			This French rom-com, inspired by Woody Allen, grows strained.