| LAT | RTMC | RTC | ||
| documentary | ||||
| Red Obsession | yes | 100 | 100 | Wealthy Chinese and their passion for pricy Bordeaux reds |
| Valentine Road | yes | 100 | 100 | When children kill children |
| AKA Doc Pomus | yes | 100 | 100 | the life of the prolific rock 'n' roll songwriter |
| God Loves Uganda | yes | 100 | 100 | looks at missionaries, anti-gay bill |
| A River Changes Course | yes | 100 | a deeply felt portrait of Cambodia | |
| Muscle Shoals | yes | 96 | 95 | warmly spotlights America's legendary music recording locale |
| Let the Fire Burn | yes | 94 | 89 | the 1985 fire bombing by the Philly police on the house occupied by MOVE |
| Informant | yes | 93 | 100 | *aggressive, paranoid, pathological liar or an American hero? |
| After Tiller | yes | 92 | 93 | personalizes the difficult decisions made in third-trimester abortions |
| Inequality for All | yes | 91 | 96 | rich in detail on how the 'haves' are leaving everyone else behind. |
| Bridegroom | yes | 88 | 100 | a poignant, powerful tale of first [gay] love and untimely death |
| Trials of Muhammad Ali | yes | 88 | 92 | complex and involving |
| Shepard & Dark | yes | 85 | 75 | the playwright Sam Shepard and his friend Johnny Dark |
| Dislecksia | yes | 83 | manages to inform and inspire despite goofy musical distractions | |
| Money for Nothing | yes | 69 | 50 | a worrying look at Federal Reserve |
| Broadway Idiot | yes | 61 | 55 | fast-paced, thoroughly entertaining if hardly trenchant |
| The Summit | yes | 60 | 47 | *a tragic attempt climbing K2 |
| Linsanity | yes | 60 | 44 | relives frenzy of N.Y. Knicks' 2012 comeback |
| GMO OMG | yes | lively, thought-provoking | ||
| Generation Iron | yes | skillfully captures the lives of seven bodybuilders | ||
| First Cousin Once Removed | yes | Heartbreaking, haunting and unexpectedly heartening | ||
| Winter Nomads | yes | captures beauty, hardships of European shepherding | ||
| The Missing Picture | yes | a poetic study of Khmer Rouge horrors | ||
| Letters to Jackie: Remembering President Kennedy | yes | condolence letters sent to Jacqueline | ||
| Birth of the Living Dead | yes | is a nifty little tribute to that granddaddy of the modern zombie movie | ||
| The Paw Project | yes | delivers biting critique of declawing cats | ||
| Hawking | so-so | 100 | loses focus later on | |
| I Am Breathing | so-so | 95 | chronicles the last days of Neil Platt | |
| The Network | so-so | 73 | 67 | the development of Afghanistan's first independent television network |
| The Institute | so-so | 67 | 40 | the Jejune Institute: we're left with more questions than answers |
| Men at Lunch | so-so | 42 | obsesses over disappearing ghosts instead of … the history we should know. | |
| The Muslims Are Coming! | so-so | Hug a Muslim | ||
| Short Game | so-so | dynamic camera work … shtick delivering voiceover narration | ||
| Mademoiselle C | so-so | fascinating, but the scenes following Carine Roitfeld lack drama | ||
| We Came Home | so-so | showing how music acts as [a] hand across generations and cultures. | ||
| Running Wild: The Life of Dayton O. Hyde | so-so | [has] an admirably friendly, sentimental lilt. | ||
| McConkey | so-so | a worthy ode to pro skier Shane McConkey | ||
| Sample This | no | 92 | 83 | offers little insight into band's music |
| Fire in the Blood | no | 91 | 86 | never manages the propulsive gut punch its incendiary subject demands |
| Unacceptable Levels | no | looking for answers about industrial toxins | ||
| Walter: Lessons From the World's Oldest People | no | about our eldest living senior citizens | ||
| Dsknectd | no | a series of free-associating non sequiturs | ||
| Two: The Story of Roman & Nyro | no | a self-aggrandizing puff piece. | ||
| animated | ||||
| Cloudy With a Chance of Meatballs 2 | yes | *cooks up crazy fun | ||
| Wolf Children | so-so | feels equal parts sentimental, somber and strange | ||
| regular movies | ||||
| On the Job | yes | 100 | 100 | a resonant tale of Filipino hit men |
| Gravity | yes | 97 | 100 | *has powerful pull |
| All Is Lost | yes | 95 | 100 | a man alone against the sea |
| 12 Years a Slave | yes | 95 | 97 | impressive and hard to watch |
| Enough Said | yes | 95 | 95 | a funny, honest film about everyday, fallible people |
| Captain Phillips | yes | 94 | 89 | a cargo ship captain tries to protect his crew from Somali pirates |
| You Will Be My Son | yes | 91 | 100 | A strongly acted, character-driven melodrama |
| The Inevitable Defeat of Mister & Pete | yes | 88 | 100 | a bit of mischief and mayhem that will break your heart, give you hope |
| We Are What We Are | yes | 85 | 84 | *Creepy tension works under your skin … builds to horror galore |
| I Used to Be Darker | yes | 83 | 100 | contained chaos, quietly observed. |
| Don Jon | yes | 82 | 83 | a smart R-rated comedy |
| Prisoners | yes | 81 | 80 | captivating and relentless |
| The Dirties | yes | 78 | 80 | a funny-creepy tale of alienation and self-delusion. |
| Concussion | yes | 75 | 50 | combines a sense of style with sex |
| Out in the Dark | yes | 73 | 78 | A gay-themed romance [within the] Israeli-Palestinian conflict |
| Bad Milo | yes | 68 | 60 | on man's stomach distress is scary fun |
| Escape From Tomorrow | yes | 59 | 45 | a horror-laced fever dream shot on Disney grounds without permission |
| Pulling Strings | yes | 55 | a mariachi flavored, fun little number | |
| And While We Were Here | yes | 48 | 33 | hashes out some heavy stuff honestly and authentically |
| All the Boys Love Mandy Lane | yes | 40 | 40 | a spellbinding thriller |
| Grace Unplugged | yes | 33 | Christian-oriented musical drama | |
| Secret Lives of Dorks | yes | 14 | A familiar outline takes some clever and funny turns | |
| The Spy: Undercover Operation | yes | negotiates a tricky work-home balance | ||
| Wadjda | so-so | 98 | 100 | depictions of life for women behind the Saudi curtain |
| A Touch of Sin | so-so | 88 | 93 | shows how greed undermines Chinese society |
| Rush | so-so | 88 | 92 | a good ride, but not a great one |
| Kid-Thing | so-so | 77 | 86 | not a lot to recommend … which isn't to say it shouldn't be seen |
| Populaire | so-so | 75 | 71 | pleased with itself and confident you'll feel the same way |
| Forgetting the Girl | so-so | 75 | Art meets sexual politics | |
| Kill Your Darlings | so-so | 71 | 65 | Far too conventional underneath all the trappings, you wish it would howl. |
| Haute Cuisine | so-so | 68 | 58 | no shortage of loving close-ups of savories and sweets |
| Newlyweeds | so-so | 67 | 71 | intriguing, slippery-witted stoner love story |
| Final Fight | so-so | 60 | 43 | has the right moves … but the latest Ip Man kung fu tale falls a bit flat |
| A Single Shot | so-so | 51 | 40 | charts no new territory … terrifically cast ... long on atmosphere |
| All Is Bright | so-so | 48 | 62 | far from a picture-perfect Christmas story |
| Morning | so-so | 45 | 50 | moving but uneven |
| The Fifth Estate | so-so | 39 | 28 | WikiLeaks with undramatic and unconvincing peripheral dramas |
| Touchy Feely | so-so | 35 | 33 | doesn't quite connect |
| Romeo & Juliet | so-so | 22 | 18 | treads carefully where it should blaze |
| Argento's Dracula 3D | so-so | 12 | 0 | enough moments of kinky madness |
| Una Noche | no | 80 | 80 | the plot thins |
| Big Ass Spider! | no | 75 | Is it a spoof or straight-up thriller? | |
| My Lucky Star | no | 56 | 71 | shoots for the sky, falls short |
| Carrie | no | 50 | 50 | hasn't evolved much since 1976 |
| Vikingdom | no | 50 | looks like Comic-Con, plays like Medieval Times | |
| A.C.O.D. | no | 49 | 38 | can't divorce itself from ho-hum hilarity |
| Parkland | no | 47 | 38 | a frustrating account of the aftermath of President Kennedy's shooting. |
| Escape Plan | no | 45 | 50 | a gray, thudding metal machine of throwback exploitation |
| Zaytoun | no | 43 | 40 | [it's] light tone misses a serious point |
| Ghost Team One | no | 40 | 40 | deserves to disappear |
| Wedding Palace | no | 38 | 33 | [a] tonally muddled Korean American romantic comedy |
| Jayne Mansfield's Car | no | 37 | 10 | runs out of gas |
| Insidious: Chapter 2 | no | 36 | 22 | The only thing scary is how unimaginative it is. |
| The Family | no | 33 | 29 | hits and misses |
| 2 Jacks | no | 31 | 38 | Confusion over obvious details mars clever adaptation |
| Machete Kills | no | 30 | 18 | wants to be a parody of a bad action movie but winds up being just bad. |
| Chinese Zodiac | no | 29 | an action packed mess | |
| Sweetwater | no | 27 | 0 | the darkly comic revenge western leaves a sour taste |
| Paradise | no | 19 | 20 | comes across as condescending and forced. |
| The Colony | no | 17 | 9 | [it's] gravest threat is a lack of distinction |
| Baggage Claim | no | 15 | 4 | is best left at the lost and found |
| CBGB | no | 10 | 23 | an inauthentic take on '70s NYC punk scene. |
| Jewtopia | no | 10 | Oy! | |
| Runner Runner | no | 9 | 4 | the world of online gambling, but the crime thriller runs out of steam. |
| Battle of the Year | no | 5 | 11 | We've seen these … steps before |
| Nothing Left to Fear | no | 0 | 0 | nothing to fear |
| I Spit on Your Grave 2 | no | 0 | a toxic revenge nightmare | |
| Cassadaga | no | 0 | gets hung up on the gore | |
| Chavez: Cage of Glory | no | convincing fights but is otherwise unconvincing. | ||
| A Strange Brand of Happy | no | nothing strange — or compelling | ||
| Cleaver's Destiny | no | an earnest but ultimately amateur production on all fronts | ||
| Silent City | no | has little to say | ||
| Toad Road | no | the Cliffs Notes version of Dante Alighieri's "Inferno." |