LAT	RTMC	RTC
documentary
The Great Flood	yes	100	100	An evocative look at The Great Flood of 1927
Aatsinki: The Story of Arctic Cowboys	yes	80		a look at two brothers in Finnish Lapland over a year.
If You Build It	yes	78	80	A struggling community finds its own kind of field of dreams
Hank: 5 Years From the Brink	yes	64	71	*an economic horror story
The Lion's Mouth Opens	yes			an espresso shot to the heart
Happy Valley	yes			Penn State scandel
Kids for Cash	yes			Mark Ciavarella, a former judge … convicted of racketeering.
Elaine Stritch: Shoot Me	yes			You'll hang on her every word
Particle Fever	yes			*a smashingly captivating look at a big idea [CERN]
The Last of the Unjust	so-so	100	100	ungainly but powerful
12 O'Clock Boys	so-so	93	94	*[an] unvarnished, kinetic, often disturbing portrait of illegal dirt bikers
A Rising Tide of Silence	so-so			a beautiful but bland portrait
It's Better to Jump	no	83		lopsided snapshot of the ancient walled city of Acre in Israel
Mitt	no	81	78	needs a broader focus
The Grounded	no	25	0	digs itself into a hole
For No Good Reason	no			paints a limited portrait of Ralph Steadman
A Journey to Planet Sanity	no			crash lands in slapdash-parody territory
animated
Ernest & Celestine	yes	100	100	*about a bear and a mouse
The Lego Movie	yes	96	97	*a tall stack of subversive fun
The Pirate Fairy	so-so	57		plenty of pretty spectacles, but true flights of fancy are far too rare.
Mr. Peabody & Sherman	so-so			*may be too smart for its own good
The Nut Job	no	13	14	well-animated animals but a too complicated story
Evangelion: 3.0 You Can (Not) Redo	no			looks good but veers to melodrama.
War of the Worlds: Goliath	no			Absurd plot devices render 3-D animation film nonsensical.
regular movies
The Rocket	yes	100	100	*Laos-set antiwar drama, a touch of fable and a powerful sense of place.
7 Boxes	yes	100	100	a thrilling Paraguayan crime caper
Gloria	yes	99	100	*a naturalistic charm to the truth-telling going on
Stranger by the Lake	yes	97	95	*tantalizing and thought-provoking
Lunchbox	yes	97	90	a delectable take on the hunger for connection
In Bloom	yes	95	91	follows fate of young girls in a changing country
Child's Pose	yes	93	93	*exceptionally written, directed and acted
Banshee Chapter	yes	93		CIA, LSD and dread
Omar	yes	88	87	a heartbreaking tale of love across isolation walls
Like Father, Like Son	yes	84	82	*a film of considerable emotional complexity
Run and Jump	yes	83	100	luminous and lovely
Charlie Victor Romeo	yes	80	88	unsettling and chilling
After the Dark	yes	75		well-shot sci-fi thriller, smart, provocative, about nuclear holocaust
Non-Stop	yes	58	61	a crisp, efficient thriller
Generation War	yes	57	60	*an epic, combat-intensive film with a solid ensemble cast.
Somewhere Slow	yes	50	60	finds lovely expression in woman's journey
Raze	yes	50	36	*unrelenting, fist-into-skull violence
Adult World	yes	48	62	*smart, incisive
The Best Offer	yes	46	33	*a finely layered mystery
Cold Comes the Night	yes	42	30	cat-and-mouse thriller
Paranormal Activity: The Marked Ones	yes	39	40	*smartly aims to be little more than a scary picture
Beijing Love Story	yes	33	40	an appealing valentine
Date and Switch	yes	33		broad but credible with heartfelt moments.
Pompeii	yes	25	20	*accomplishes its ambitious agenda to largely engrossing effect
Son of God	yes	24	15	proves more than a mere watered-down "The Passion of the Christ."
Freezer	yes			a snappy action flick that makes good use of its close confines
Let's Ruin It With Babies	yes			gets a little lost on its cross-country tour but recovers
Venus Talk	yes			a light and lively look at the sex lives of 40ish female friends
Bethlehem	yes			a taut cat-and-mouse game
In Fear	yes			*Unsettling close-ups and a well-paced series of scares … exceptional
Journey to the West	yes			*a rollicking tale of demon hunters
Lucky Bastard	yes			a clever thriller set in the world of porn
The Grand Budapest Hotel	yes			*another oddball world … playful, poignant
A Field in England	so-so	87	89	trippy but happenstance
The Suspect	so-so	83	100	frenetic camerawork … stunning set pieces
G.B.F	so-so	79	71	Gay Best Friend: muddled, eschews smarts for laughs, sharp and amusing
The Returned	so-so	69		shakes up standard undead fare before its plot finally fizzles.
Jack Ryan: Shadow Recruit	so-so	61	52	something that could pass for the real thing if you're not looking too hard
Stalingrad	so-so	48	35	a siege of the senses laden with history
The Truth About Emanuel	so-so	30	17	pain of motherhood and guilt of daughters
Endless Love	so-so	15	12	some surprising performances rise above a skin-deep plot.
Dumbbells	so-so	14	17	a competent but feather-light gym-scene comedy
Winter's Tale	so-so	13	12	you'd like to be able to say it's a complete success. It isn't …
Awful Nice	so-so			sometimes falls flat, but [the] stars keep lifting up the comedy.
Special ID	so-so			Little suspense, but plenty of kicks
About Last Night	no	76	81	unnecessary reimagination of the 1986 original
Enemies Closer	no	75	80	Jean-Claude Van Damme makes few friends
Return to Nuke 'Em High Volume 1	no	70	83	Z-grade schlock, vigorously offensive
The Attorney	no	70	83	courts a miscarriage of drama
Love Is in the Air	no	70	60	too up in the air
Visitors	no	66	53	an art piece masquerading as a movie
Nurse 3D	no	65		an oversexed caretaker obsessed with a co-worker. It isn't sexy or fun.
At Middleton	no	58	53	romantic comedy gets a middling grade
Interior. Leather Bar.	no	55	60	movie-within-the-movie's seeming pointlessness
Easy Money: Hard to Kill	no	53	38	a sense of randomness robs the film of meaningful connections.
RoboCop	no	49	55	this … model could use a recall
In Secret	no	47	44	simmers but doesn't boil, making an adulterous affair unexciting
The Pretty One	no	45	30	Tragedy and romance play Twister
Almost Human	no	43		close encounters of the parasitic variety
Black Out	no	40		an uninvolving, dark crime comedy
Holy Ghost People	no	40		No miracle can save 'Holy Ghost People'
Swerve	no	36	22	has elements of a great thriller, except for a good plot
A Fantastic Fear of Everything	no	35		[a] dreary, loud, amateurish horror-comedy
Monuments Men	no	34	32	talks big but lacks artful direction
Knights of Badassdom	no	33		Oh, the meta-horror
Angels in Stardust	no	33		bites the dust with hokey material
3 Days To Kill	no	31	17	spy thriller with faulty aim
Odd Thomas	no	29	20	gets the hero right, but not the tone
24 Exposures	no	25	13	takes a subpar stab at crime
Welcome to the Jungle	no	25		Jean-God [Van] Damme — don't! Don't go into the jungle!
Gimme Shelter	no	23	22	filled with very good intentions, very bad dialogue
That Awkward Moment	no	22	12	passing off misogyny for comedy
The Wait	no	18	29	enigmatic but ultimately wearying
Twice Born	no	18	15	Romance but little chemistry
Devil's Due	no	18	13	an inept take on 'Rosemary's Baby'
Angels Sing	no	17	20	cringe-worthy treacle … bah bumbug
Reasonable Doubt	no	17		a far-fetched plot with too many holes to be credible.
Ride Along	no	16	23	any sense of logic is definitely on the lam.
May I Kill U	no	15		The answer ... is, as you might expect, no
Jamesy Boy	no	14	20	Inside-the-pen (prison, not ink) follows a too-familiar trajectory
Free Ride	no	14	17	Reality takes a toll
Back in the Day	no	14		Cloying and smug when it's not being unfunny and crass
Brightest Star	no	13	17	a twee look at an aimless, nameless, recently dumped twentysomething
Barefoot	no	11	10	it's a stumble
The Bag Man	no	10	0	deserves the sack
Girl on a Bicycle	no	8	17	runs as flat as Euro-pudding
Cavemen	no	8	0	movies about child-men on the make may be headed toward the boneyard
Chlorine	no	8	0	A flat, undercooked suburban comedy. Or … drama? Or … satire?
The Outsider	no	5	0	a lo-fi imitation of 'Taken'
I, Frankenstein	no	4	8	staggers forth barely bolted together
The Legend of Hercules	no	2	11	weakened by cliches
Hamlet	no	0	0	lacks the creative juice
Saratov Approach	no			a spiritual thriller with little soul
California Scheming	no			isn't a well-developed plan
Down and Dangerous	no			another wearisome 'Breaking Bad' wanna-be
A Stranger in Paradise	no			criminally underwhelms
Repentance	no			An unforgivable waste of acting talent
The Activist	no			suffers from lack of activity
Haunt	no			winds up feeling like an exercise in horror formalities
The Face of Love	no			feels contrived
Southern Baptist Sissies	no			the material is about three decades past due
300: Rise of an Empire	no			looks great but is weak in plot