| LAT | RTMC | RTC | note: “~” = the film's name | ||
| documentary | |||||
| Glen Campbell: I'll Be Me | yes | 100 | 100 | tracks ailing singer's farewell tour | |
| The Invisible Front | yes | 100 | 100 | delves into the Lithuanian resistance against the USSR | |
| National Gallery | yes | 100 | 100 | a portrait of humanity on canvas and on-screen | |
| Virunga | yes | 100 | captures drama of African rangers guarding gorillas | ||
| Night Will Fall | yes | 100 | a masterfully constructed look at an obscure chapter of Holocaust history | ||
| Overnighters | yes | 98 | 100 | *an intimate chronicle of boomtown job seekers | |
| Citizenfour | yes | 97 | 100 | *a compelling look at Edward Snowden's actions | |
| Little Hope Was Arson | yes | 92 | 80 | explores fallout from East Texas church fires | |
| The Great Invisible | yes | 88 | 91 | delves into Deepwater Horizon oil spill | |
| E-Team | yes | 88 | 83 | delves into Human Rights Watch investigators' work | |
| Happy Valley | yes | 87 | 92 | a thorough, thoughtful and disturbing doc of the Penn State scandal | |
| Antarctica: A Year on Ice | yes | 83 | 89 | epic visuals and the small-scale personal stories | |
| Point and Shoot | yes | 78 | 72 | a curious documentary ... [about] getting caught up in the Libyan cause | |
| Merchants of Doubt | yes | 77 | *It gives a peek behind the curtain of how public opinion is formed | ||
| Plot for Peace | yes | 71 | 80 | remarkable story ... as thrilling as it is edifying | |
| Magical Universe | yes | 63 | enters one man's world of Barbies | ||
| Through a Lens Darkly: Black Photographers and the Emergence of a People | yes | 59 | 56 | it's only through the eyes of black photographers that we see differently | |
| Flamenco | yes | 53 | 50 | another dazzling Carlos Saura tribute to dance | |
| Botso | yes | an inspiring lesson in endurance and optimism | |||
| The Hadza:Last of the First | yes | an academic but valuable look at Africa's Hadza | |||
| Warsaw Uprising | yes | when Poland fought back | |||
| True Son | yes | follows power of youthful conviction in politics | |||
| Occupy the Farm | yes | the guerrilla agriculture didn't sit well with UC officials | |||
| Shadows From My Past | yes | confronts Austria's role in the Holocaust | |||
| Little White Lie | yes | nice Jewish girl finds her true racial origins | |||
| 25 to Life | yes | HIV positive man becomes an advocate | |||
| Pelican Dreams | so-so | 100 | 100 | Whatever you think you know about pelicans, [it] will surprise you. | |
| A World Not Ours | so-so | 100 | Alternately moving and frustrating | ||
| Walking the Camino: Six Ways to Santiago | so-so | 85 | 75 | some begin as tourists and end up as pilgrims | |
| On Any Sunday: The Next Chapter | so-so | 55 | 50 | sequel rides in as energetic eye candy | |
| Yakona | so-so | would have been more potent had it been a 40-minute short | |||
| All You Need Is Love | so-so | a heartfelt if limited portrait | |||
| Food Chains | no | 89 | 80 | Farmworkers ill served by ~ | |
| Death Metal Angola | no | 83 | proves more rookie effort than rock film | ||
| 21 Years: Richard Linklater | no | 42 | 43 | I suppose we'll have to wait for "42 Years: Richard Linklater" | |
| Lakay | no | having a great time amid the devastation | |||
| Last Patrol | no | Sebastian Junger can't seem to get war 'out of his system | |||
| Getting to the Nutcracker | no | a corps story without a dramatic core | |||
| animated | |||||
| Big Hero 6 | yes | 91 | 89 | *a huggable robo-hero pops up in the future | |
| Giovanni's Island | no | 83 | a heavy-handed, familiar fantasy | ||
| Penguins of Madagascar | no | 72 | 56 | run ... afowl? | |
| regular movies | |||||
| The Babadook | yes | 98 | 100 | *smart and dark, delivers grown-up horrors | |
| A Girl Walks Home Alone at Night | yes | 96 | 95 | *has a definite bite | |
| Nightcrawler | yes | 95 | 86 | *pulp with a purpose | |
| Force Majeure | yes | 93 | 94 | sets in motion an avalanche of buried emotion | |
| Diplomacy | yes | 93 | 89 | Paris' fate is at stake in the flawless, WWII-set [film] | |
| Imitation Game | yes | 89 | 90 | *a crackerjack tale about Enigma buster Alan Turing | |
| Foxcatcher | yes | 86 | 82 | a gripping story of seduction, rejection, murder | |
| Listen Up Philip | yes | 85 | 78 | *a toxic triumph | |
| John Wick | yes | 85 | 74 | *brings A game to violent business of revenge | |
| Beyond the Lights | yes | 84 | 82 | [a] showcase for Gugu Mbatha-Raw | |
| Theory of Everything | yes | 80 | 84 | makes the cosmos of a marriage shine | |
| Rhymes for Young Ghouls | yes | 80 | a blood- and booze-soaked revenge drama | ||
| Once Upon a Time Veronica | yes | 75 | 86 | a sensual study of human condition | |
| 1,000 Times Good Night | yes | 74 | 73 | powerfully frames a postwar life | |
| Interstellar | yes | 73 | 67 | *explores outer and inner spaces | |
| Laggies | yes | 69 | 79 | a lovely lark | |
| Showrunners | yes | 67 | a lively snapshot from TV's creative front lines | ||
| Private Peaceful | yes | 64 | 80 | Melancholy runs deep; richly appointed British period piece | |
| Bhopal: A Prayer for Rain | yes | 58 | 33 | an effective cautionary tale | |
| Low Down | yes | 49 | 50 | Pain and pure love in [a] melancholic memory piece | |
| Horns | yes | 41 | 32 | Out to lunch, over the top, tongue-in-cheek, largely effective | |
| Missionary | yes | 40 | *a 'Fatal Attraction'-like tale, toys with the concept of a Mormon bad guy | ||
| Dumb and Dumber To | yes | 28 | 17 | *just a chip off the older blockheads | |
| Elsa & Fred | yes | 25 | 40 | Romance proves ageless | |
| Jessabelle | yes | 25 | 25 | is a bayou gumbo of horrors | |
| Hit by Lightning | yes | 11 | 20 | fuses comedy with film noir | |
| The Playback Singer | yes | is a satisfying comedy-drama | |||
| Kurmanjan Datka Queen of the Mountains | yes | a stirring historical epic | |||
| Jal | yes | Bollywood take on a drought's devistation | |||
| The Homesman | so-so | 80 | 74 | Harsh land and raw, maddening emotion test ~ | |
| Rosewater | so-so | 74 | 71 | [Jon] Stewart acquits himself solidly, though not thrillingly | |
| Camp X-Ray | so-so | 72 | 53 | has a tendency to slip into stereotypes a bit too easily | |
| Sex Ed | so-so | 67 | a charming comedy despite its flaws | ||
| The Hunger Games: Mockingjay — Part 1 | so-so | 65 | 64 | just a place-holder | |
| Before I Go to Sleep | so-so | 36 | 33 | handsomely made; feels like awfully familiar business | |
| The Lookalike | so-so | 20 | Kooky plotting but fun performances | ||
| A Merry Friggin' Christmas | so-so | 18 | 30 | includes Robin Williams shtick | |
| 9 Full Moons | so-so | plenty of heavy baggage | |||
| Delusions of Guinevere | so-so | cautions on pitfalls of YouTube fame | |||
| Calloused Hands | so-so | When the script falls short Royo and Haggard act up a storm. | |||
| Women Who Flirt | so-so | plays with gender stereotypes in silly romp | |||
| The Way He Looks | no | 90 | 79 | escapist entertainment | |
| Wild Tales | no | 88 | weighed down by clunky filmmaking | ||
| Bad Turn Worse | no | 81 | 60 | runs out of juice | |
| Beside Still Waters | no | 70 | founders in inanity | ||
| Winter in the Blood | no | 64 | 60 | a tale of losses, including the audience | |
| Brahmin Bulls | no | 60 | tepid | ||
| Stonehearst Asylum | no | 52 | 44 | has gothic air, can't lock in the terror | |
| The Toy Soldiers | no | 50 | is a tangled web of damaged souls | ||
| White Bird in a Blizzard | no | 48 | 35 | Not much to see in | |
| The Better Angels | no | 40 | 33 | a fragmented look at Lincoln's boyhood | |
| Viva la Libertà | no | 40 | could use more verve in the story department | ||
| 23 Blast | no | 38 | 33 | plays well but doesn't score | |
| Horrible Bosses 2 | no | 36 | 23 | has horribly funny moments, but too few | |
| Open Windows | no | 35 | 20 | Overindulgent tech fest ... deserves defenestration | |
| Exists | no | 32 | 14 | Who signed off on a fast Bigfoot? | |
| Extraterrestrial | no | 31 | 13 | lands with a thud | |
| Wolves | no | 26 | 29 | Silly story and dialogue defang ~ | |
| Miss Meadows | no | 24 | 13 | A failing grade for ~ | |
| The Pact 2 | no | 14 | doesn't hold much promise | ||
| All Relative | no | 11 | 17 | an honest if not entirely successful rom-com | |
| Always Woodstock | no | 10 | 20 | has its rom-com hits and misses | |
| Ouija | no | 7 | 18 | a boring board-game adaptation badly played | |
| Revenge of the Green Dragons | no | 5 | 0 | seem[s] like so much posturing | |
| Viktor | no | 0 | 0 | a hackneyed avenging-dad action flick | |
| Kirk Cameron's Saving Christmas | no | 0 | 0 | is an unholy mess | |
| Reach Me | no | 0 | 0 | sift through the jumble | |
| Eternity: the Movie | no | 0 | a largely one-note cheesy sendup of 1980s pop music | ||
| Aviation Cocktail | no | doesn't quite fly | |||
| As Night Comes | no | [a] grim and airless teen drama | |||
| Work Weather Wife | no | a bargain-basement Bollywood musical | |||
| The Key | no | Some secret diaries are better left locked | |||
| Me | no | Big-name cast can't save [it] from vanity-project blues | |||