| LAT | RTMC | RTC | note: “~” = the film's name | |
| documentary | ||||
| Cameraperson | yes | 100 | 100 | invites a new way of seeing |
| Maya Angelou: And Still I Rise | yes | 100 | 100 | a testament to her singularly regal self-invention and the soul-searching |
| Tower | yes | 100 | 100 | Experimental doc revisits 50-year-old campus shooting |
| Sky Ladder: The Art of Cai Guo-Qiang | yes | 100 | 100 | Fireworks paint the air |
| Chicken People | yes | 100 | Warm-hearted; looks at poultry breeders | |
| Landfill Harmonic | yes | 100 | Music rises from the garbage heap | |
| Southwest of Salem: The Story of the San Antonio Four | yes | 100 | A tale of prejudice, ignorance and injustice | |
| 13th | yes | 96 | 94 | *simmers with anger and burns with eloquence |
| Command and Control | yes | 94 | 93 | *will scare you coolly and convincingly |
| Among the Believers | yes | 93 | 100 | goes inside Pakistan's Red Mosque schools |
| Newtown | yes | 93 | 100 | Capturing the emotional fallout after Sandy Hook |
| Harry & Snowman | yes | 92 | 100 | recounts the inspiring story of an underdog show horse |
| Voyage of Time: The Imax Experience | yes | 92 | 92 | *glorious cosmic reverie, a feast for the eyes and a balm for the soul |
| Seed: The Untold Story | yes | 90 | saving the remaining varieties of seeds | |
| Amanda Knox | yes | 89 | 81 | explores the salacious Italian murder case with laser-like precision |
| Theo Who Lived | yes | 88 | An American journalist who was kidnapped by Al Qaeda retraces his steps | |
| Audrie & Daisy | yes | 85 | 100 | a harrowing look at sexual assault |
| Do Not Resist | yes | 85 | 86 | examines militarization of police |
| Kevin Hart: What Now? | yes | 78 | 79 | Comic owns the screen in concert film |
| The Lovers and the Despot | yes | 77 | 84 | *reveals the story of Kim Jong Il's private, kidnapped filmmakers |
| We Are X | yes | 76 | 67 | vividly displays Japanese metal band’s staying power |
| Before the Flood | yes | 69 | 75 | Leonardo DiCaprio crosses the globe |
| Danny Says | yes | 56 | 60 | *looks at man behind the Doors, Bowie and Iggy Pop |
| The Best Democracy Money Can Buy | yes | 50 | documentary pursues the Koch brothers | |
| 100 Years | yes | Battle for Native American rights | ||
| Seed Money | yes | examines the philanthropy of gay porn mogul Chuck Holmes | ||
| The Rolling Stones Olé Olé Olé!: A Trip Across Latin America | yes | Mick Jagger and Keith Richards visit Cuba | ||
| Thank You for Your Service | yes | advocates for mental health services for military veterans | ||
| Underfire: The Untold Story of Pfc. Tony Vaccaro | yes | reveals the relationship between a war photographer and war itself | ||
| Generation Startup | no | 60 | both too narrow and too broad | |
| Michael Moore in TrumpLand | no | 57 | 53 | a rambling, mildly entertaining performance film |
| The Red Pill | no | only makes worse the divide between men’s and women’s rights activists | ||
| Hate Rising | no | here’s only so much hate speech viewers can take | ||
| animated | ||||
| Long Way North | yes | 97 | 100 | *a gorgeously animated tale of a young woman's quest for lost family |
| Miss Hokusai | yes | 95 | 87 | a sumptuous, sensuous animated work of art |
| Storks | yes | 64 | 61 | fits the bill as cheerful, family-friendly nonsense |
| Bilal: A New Breed of Hero | no | 80 | animation is surprisingly uneven | |
| Blinky Bill: The Movie | no | 73 | may bewilder U.S. audiences | |
| 25 April | no | recounts the Battle of Gallipoli | ||
| regular movies | ||||
| The Age of Shadows | yes | 100 | 100 | a gripping 1920s spy thriller |
| As I Open My Eyes | yes | 100 | 100 | pulses with politics, protest and the music of North Africa |
| Under the Shadow | yes | 98 | 100 | *a genuinely terrifying ghost story from Iran |
| Moonlight | yes | 98 | 98 | magical, majestic; a stunning portrait of young, black gay life |
| Sand Storm | yes | 96 | 100 | an experience as intense as any thriller |
| Aquarius | yes | 96 | 94 | Sonia Braga shines in the absorbing Brazilian drama |
| The Handmaiden | yes | 95 | 94 | seduces with artful elegance and authentic thrills |
| Creepy | yes | 94 | 100 | Kiyoshi Kurosawa returns to horror |
| Being 17 | yes | 93 | 87 | beautifully blurs the line between rage and desire |
| Queen of Katwe | yes | 92 | 92 | Astute performances and fine direction move~ to the fore of chess movies |
| A Man Called Ove | yes | 92 | 89 | Swedish crank is surprised by life |
| Certain Women | yes | 90 | 86 | remarkably quiet and quietly remarkable |
| Closet Monster | yes | 86 | 91 | Connor Jessup seals the deal in fantastical gay drama |
| Operation Mekong | yes | 86 | a Hong Kong action-thriller | |
| Christine | yes | 85 | 77 | illuminates a reporter's final weeks |
| Deepwater Horizon | yes | 84 | 80 | a mighty cinematic conflagration |
| My Blind Brother | yes | 81 | 85 | Dark comedy ably balances love triangle |
| Tanna | yes | 81 | 83 | tells a tale of forbidden love that's as old as time |
| American Honey | yes | 80 | 83 | an indelible epic of the open road |
| Goat | yes | 77 | 74 | offers a deeper meditation on the bond between brothers |
| In a Valley of Violence | yes | 77 | 53 | proves mighty entertaining in its own right |
| Chronic | yes | 76 | 82 | Tim Roth is superb in [the] quietly powerful drama |
| The Apostate | yes | 76 | Slacker Spaniard takes on the Catholic Church | |
| The Lennon Report | yes | 67 | captures the aftermath of ex-Beatle's shooting | |
| Miss Peregrine's Home for Peculiar Children | yes | 63 | 56 | *The Tim Burton magic is back |
| It Had to Be You | yes | 60 | summons memories of great rom-coms of the past | |
| Desierto | yes | 59 | 44 | Current events extend the border thriller ~ beyond genre |
| Middle School: The Worst Years of My Life | yes | 55 | 70 | is a fine diversion for the not-a-kid-not-yet-an-adult in your life |
| The Accountant | yes | 52 | 48 | Ben Affleck brings joy and skill to bear in the energetic genre exercise |
| Phantasm: Ravager | yes | 45 | 40 | retains all the offbeat humor and casual surrealism |
| Is That You? | yes | 38 | overcomes rough start before finding its footing | |
| American Pastoral | yes | 20 | 16 | a timely adaptation of Philip Roth's novel |
| Green Is Gold | yes | will keep you invested | ||
| NY84 | yes | deftly captures the city and an era in the shadow of AIDS | ||
| Blue Jay | so-so | 93 | 91 | takes too long for too little to happen |
| Ouija: Origin of Evil | so-so | 82 | 81 | As long as logic and originality aren't your thing |
| Denial | so-so | 81 | 79 | is not without its difficulties |
| Asura: The City of Madness | so-so | 75 | Crooked cops and Gotham-like rot | |
| Coming Through the Rye | so-so | 71 | 64 | a mildly engaging coming-of-age road trip |
| The Greasy Strangler | so-so | 64 | 29 | takes gross-out humor to another level |
| Jack Reacher: Never Go Back | so-so | 38 | 34 | Tom Cruise returns; effective, if uninspired |
| People You May Know | so-so | self-involved, self-indulgent and a bit lost, but well-meaning and hopeful | ||
| Astraea | so-so | a thoughtful rumination on the far-reaching tentacles of grief | ||
| Dependent’s Day | so-so | The loosely plotted story moves forward almost effortlessly | ||
| Priceless | so-so | relies more on emotion than well-crafted dialogue | ||
| Girl Asleep | no | 84 | 82 | a minor curio from Down Under |
| The Birth of a Nation | no | 72 | 74 | wields its emotions like a blunt instrument |
| The Great Gilly Hopkins | no | 65 | 63 | stuck in retrograde |
| The Magnificent Seven | no | 63 | 45 | handsome, but lifeless remake |
| The Siege of Jadotville | no | 60 | a fair amount of combat suspense; a whole lot of clichéd dialogue | |
| Ordinary World | no | 57 | 60 | is just too, well, ordinary, to be truly compelling |
| Mascots | no | 54 | 62 | Christopher Guest, the occasional titter but few guffaws |
| The Dressmaker | no | 53 | 39 | has hearty energy but quickly wears out its welcome |
| The Free World | no | 50 | 57 | initially compelling but uneven |
| The Beat Beneath My Feet | no | 50 | listless | |
| Flock of Dudes | no | 44 | Bros grow up in comedy | |
| The Girl on the Train | no | 43 | 29 | inept suburban potboiler |
| London Town | no | 42 | 14 | Sentimentality and the Clash don't mix |
| Come What May | no | 38 | 22 | it continues, lumbering toward its predictably sentimental conclusion |
| Good Kids | no | 33 | more annoying than funny | |
| Masterminds | no | 31 | 50 | [a] lightweight and very silly comedy |
| Beauty and the Beast | no | 31 | Despite French stars, is an overdone mess | |
| The Whole Truth | no | 30 | 27 | lacks tension |
| Passage to Mars | no | 29 | 40 | chronicles Arctic survival adventure |
| I’m Not Ashamed | no | 29 | a blunt, preordained ending | |
| Milton's Secret | no | 27 | 17 | can't transcend earthly despair |
| 37 | no | 25 | convincing drama flickers out of reach | |
| Boo! A Madea Halloween | no | 21 | 30 | a familiar treat for Tyler Perry fans |
| The Late Bloomer | no | 20 | 20 | ups the raunch, but it's not very funny |
| Keeping Up With the Joneses | no | 19 | 10 | Zach Galifianakis can't save ~ |
| Autumn Lights | no | 14 | Iceland-set mystery comes up empty | |
| I.T. | no | 12 | 14 | Techno-thriller stuck in an 8-bit world |
| Jack Goes Home | no | 11 | Family secrets torment writer in thriller ~ | |
| ClownTown | no | 10 | Frights are scarce in the derivative and plodding horror film | |
| Is That a Gun in Your Pocket? | no | 0 | 0 | a crude, unfunny take on Aristophanes |
| Max Steel | no | 0 | 0 | Awkward adolescence meets toy commercial |
| New World Order | no | Conspiracy theories converge in abysmal Italian non-thriller | ||
| The Last Film Festival | no | not a fitting tribute to Dennis Hopper | ||
| Loserville | no | an unsatisfying blend of teen comedy and bullying drama | ||
| Mommy's Box | no | just a loose collection of nice little scenes | ||
| Maximum Ride | no | Minimum budget yields minimal originality | ||
| All in Time | no | rocks, but time travel gambit fails | ||
| Better Off Single | no | dizzying, overly glib | ||
| Search Engines | no | Thanksgiving done wrong | ||
| The River Thief | no | A troubled young man finds faith in hokum | ||
| Best Fake Friends | no | The housewives of ~ are desperate but not very interesting | ||
| Courier-X | no | Conspiracy drama proves tedious | ||
| The Remake | no | Feeble romantic comedy needs a makeover |