| LAT | RTMC | RTC | note: “~” = the film's name | |
| documentary | ||||
| The Ruins of Lifta | yes | 100 | 100 | an abandoned Palestinian village, painful marker for Arabs and Jews |
| The Uncondemned | yes | 100 | 100 | The not-so-hidden atrocities of war get their day in court |
| Off the Rails | yes | 100 | 100 | a life devoted to, and imprisoned by, a mass-transit obsession |
| National Bird | yes | 100 | 100 | powerful cinematic journalism |
| Peter and the Farm | yes | 100 | 100 | The vision is one of pastoral agony |
| One More Time With Feeling | yes | 100 | 100 | Tragedy hovers over |
| Disturbing the Peace | yes | 100 | a vital, absorbing documentary | |
| The Anthropologist | yes | 100 | looks at mothers and daughters, culture and climate change | |
| Finding Babel | yes | 100 | search for the legacy of one of the Soviet Union's greatest writers | |
| Seasons | yes | 95 | 91 | a visually dazzling journey into the animal kingdom |
| Gimme Danger | yes | 94 | 96 | *Director Jim Jarmusch lets Iggy Pop let it rip |
| Fire at Sea | yes | 94 | 93 | a harrowing look at the horrors of the international refugee crisis |
| Best Worst Thing That Ever Could Have Happened | yes | 93 | 100 | chronicles the rare Stephen Sondheim flop |
| Notes on Blindness | yes | 93 | 83 | powerful insight on emotion, spirituality, life and disability |
| The Eagle Huntress | yes | 92 | 88 | a heartwarming, intimate story of gender rebellion |
| Into the Inferno | yes | 90 | 90 | Werner Herzog risked his life for the thrilling volcano documentary |
| Blood on the Mountain | yes | 89 | 100 | a fortuitous exploration of industrial wrath |
| The Ivory Game | yes | 89 | 78 | sounding the alarm of dire emergency |
| All Governments Lie | yes | 89 | takes mainstream media to task | |
| Marathon: The Patriots Day Bombing | yes | 88 | 80 | expertly reconstructs the terror attacks of April 15, 2013 |
| On the Map | yes | 88 | 80 | the basketball contest that gave Israel a sense of national pride |
| Oasis: Supersonic | yes | 82 | 92 | Gallagher brothers rock and brawl |
| Magnus | yes | 81 | The loneliness of the long-distance chess grandmaster | |
| Mifune: The Last Samurai | yes | 79 | 88 | sheds light on the legendary Japanese actor |
| By Sidney Lumet | yes | 73 | 80 | A late American master speaks anew in |
| A Billion Lives | yes | 40 | Pro-vaping documentary makes a compelling case | |
| USS Indianapolis: The Legacy | yes | the remarkable story of a naval tragedy and its survivors | ||
| Don’t Look Down | yes | enjoyable, if oddly non-propulsive | ||
| Ivory. A Crime Story | yes | he lawless hunt for elephant ivory | ||
| Iron Moon | yes | illuminated by poetry of Chinese working class | ||
| Ice Guardians | yes | makes the case for hockey’s enforcers | ||
| This Is Life | yes | doctors and staff working hard to do right for their patients | ||
| Solitary | yes | chillingly looks at life at a supermax prison | ||
| An Eye for an Eye | so-so | 80 | the rehabilitative power of forgiveness | |
| Apparition Hill | so-so | A varied group searches for spiritual answers | ||
| The Trans List | so-so | ersonal history, struggle and liberation | ||
| Asperger’s Are Us | so-so | puns or off-kilter humor | ||
| Rooted in Peace | so-so | its own roots never go quite as deep as they might | ||
| Rigged 2016 | no | an hour-long campaign ad for Libertarian candidate Gary Johnson | ||
| Beauty Bites Beast | no | tries to bolster its case with silly comic-strip animation, et al | ||
| Behind Bayonets and Barbed Wire | no | attempts to re-create the horrors of the Bataan Death March | ||
| Trezoros: The Lost Jews of Kastoria | no | [needs] a more focused approach to its central story | ||
| Behind 'The Cove' | no | falls short of the mark | ||
| animated | ||||
| Moana | yes | 95 | 98 | *sweet relief to audiences looking for an escape from everyday reality |
| The Red Turtle | yes | 90 | 100 | *a wonderful, wordless animated marvel |
| Trolls | so-so | 76 | 64 | Delirious animated musical, both craven and charismatic |
| regular movies | ||||
| Things to Come | yes | 100 | 100 | quietly wonderful |
| Esteros | yes | 100 | Young men revisit friendship, sexuality | |
| Manchester by the Sea | yes | 97 | 100 | Powerful, emotional filmmaking that leaves a scar |
| Little Sister | yes | 95 | 100 | Nun-in-training returns home |
| The Love Witch | yes | 95 | 86 | recalls '70s sexploitation |
| The Edge of Seventeen | yes | 94 | 95 | winning coming-of-age dramedy |
| Arrival | yes | 94 | 90 | *deeply human, expertly realized science fiction |
| Baden Baden | yes | 94 | delightfully off-center | |
| Hunter Gatherer | yes | 92 | 100 | a warmly eccentric little indie |
| Always Shine | yes | 91 | 82 | sharp vacation thriller |
| Doctor Strange | yes | 90 | 85 | *trippy, transporting |
| Loving | yes | 89 | 93 | a husband and wife who made history because their love was a crime |
| Elle | yes | 89 | 87 | masterful rape-revenge thriller |
| Lion | yes | 86 | 82 | over-dramatization impossible to mess it up |
| The Founder | yes | 79 | 67 | reveals the face of American greed |
| Evolution | yes | 78 | 92 | *The opposite of nurture on display in creepy French horror fantasy |
| The Monster | yes | 78 | 82 | nifty little freakout of a third feature |
| A Street Cat Named Bob | yes | 76 | 88 | a rewardingly unassuming, tough and tender portrait |
| The Eyes of My Mother | yes | 76 | 76 | *a lyrical, grisly horror film that upends expectations |
| Nocturnal Animals | yes | 71 | 58 | skillful meta-thriller revisits a broken marriage |
| No Pay, Nudity | yes | 71 | melancholic comedy | |
| Miss Sloane | yes | 68 | 68 | timely political melodrama |
| Come and Find Me | yes | 67 | 40 | is worth tracking down |
| Dreamland | yes | 63 | 100 | Musician finds benefactor |
| Allied | yes | 61 | 55 | old-fashioned glamour spy thriller |
| Lazy Eye | yes | 50 | 67 | gay ex lovers unite again |
| Almost Christmas | yes | 49 | 43 | encompasses every holiday high, low and in-between |
| The Windmill | yes | 44 | classes up the horror genre | |
| I Was a Teenage Wereskunk | yes | gleefully reanimates the monster and teen flicks of the past | ||
| Fell, Jumped or Pushed | yes | captures delirium of indie filmmaking | ||
| Keep in Touch | yes | explores the far-reaching tentacles of grief | ||
| Anne Frank: Then and Now | yes | brings the story to Palestinian teens | ||
| Nobody Walks in L.A | yes | a glossy, intoxicating advertisement for the City of Angels | ||
| Goldbricks in Bloom | yes | Takes on the complicated relationship between art and commerce | ||
| Evan's Crime | yes | an effectively scrappy and involving us-against-them drama | ||
| Fools | yes | weaves a romantic fantasy world for two troubled strangers | ||
| 77 Minutes | yes | a gritty immersion into grim criminal territory | ||
| Earthquake | yes | 1988 Armenian tragedy plays out | ||
| Am Not Madame Bovary | so-so | 88 | 89 | compelling enough to overcome the stylistic overkill |
| Hacksaw Ridge | so-so | 87 | 93 | [a] mightily impressive, morally incoherent spectacle |
| Fantastic Beasts and Where to Find Them | so-so | 74 | 71 | casts a faltering spell |
| Bleed for This | so-so | 71 | 81 | is all over the place |
| Rainbow Time | so-so | 62 | 50 | pushes the "comedy of awkwardness” to uncomfortable new levels |
| The Duelist | so-so | 46 | 40 | may miss the mark, but it's dazzling to watch |
| Pet | so-so | 45 | 60 | tweaks captive-captor conventions |
| Billy Lynn's Long Halftime Walk | so-so | 45 | 43 | moving, muddled Iraq War soldier's story |
| Dog Eat Dog | so-so | 43 | 31 | wacky, never boring |
| Army of One | so-so | 27 | noisy, busy and not that funny, but ... | |
| Mr. Donkey | so-so | broad yet insightful | ||
| Shangri-La Suite | so-so | emulates ’70s indie cinema with style and affection — to a fault | ||
| The Shelter | so-so | has grand ambitions for a B-movie | ||
| CRD | so-so | Indian film ~ both baffling and enchanting | ||
| Don’t Call Me Son | so-so | a manifesto for identity liberation or a soap opera | ||
| Po | so-so | could have used a subtler, less didactic approach | ||
| SiREN | no | 75 | 60 | a bachelor party goes oh, so wrong |
| Trash Fire | no | 67 | 43 | Irredeemable characters plague horror-comedy ~ |
| Rules Don't Apply | no | 56 | 63 | never takes off |
| Sky on Fire | no | 50 | Hong Kong action auteur Ringo Lam returns | |
| The Take | no | 46 | 22 | routine action-thriller |
| King Cobra | no | 43 | 33 | doesn’t add up to either pulpy trash or exposé |
| New Life | no | 40 | rarely explores the depths of love and adversity | |
| Ali and Nino | no | 40 | simplistic, airless World War I romance | |
| The Pickle Recipe | no | 33 | 33 | whips up sour humor |
| Bad Santa 2 | no | 24 | 15 | relies entirely too much on the naughty parts |
| Inferno | no | 20 | 19 | Tom Hanks seems lost inside the scenic treasure-hunt thriller |
| Tank 432 | no | 20 | Horror and war without much payoff | |
| The Comedian | no | 17 | 0 | Robert De Niro amuses, but the movie doesn't kill |
| Incarnate | no | 16 | 17 | takes a little too long to get to its chills |
| USS Indianapolis: Men of Courage | no | 9 | 14 | Stilted, unfocused |
| Shut In | no | 3 | 0 | boasts Naomi Watts, comfy sweaters and little else |
| The Unspoken | no | 0 | 0 | it sure is loud (and not very scary) |
| Life on the Line | no | 0 | 0 | salutes the folks who risk injury every day to keep our power flowing |
| My Dead Boyfriend | no | 0 | No life or laughs to the dated comedy ~ | |
| Run the Tide | no | 0 | this dreary film is no place for likable Taylor Lautner | |
| Chief Zabu | no | falls flat, even with a politically ambitious N.Y. developer | ||
| Jack’s Apocalypse | no | unable to convey any realistic stakes or authenticity in its story line | ||
| The Charnel House | no | fails to muster much horror | ||
| The David Dance | no | can't escape its outdated stage roots | ||
| Hara Kiri | no | Dull nihilists drag down experimental drama | ||
| The Drama Club | no | a crassly unpleasant ensemble piece | ||
| Love Is All You Need? | no | overreaches in attempt to inverse hate | ||
| Adrift | no | comes across as fragmented and overwrought | ||
| Pocket Listing | no | can't make the sale with its strange design and poor taste | ||
| Anonymous | no | Beneath the shiny facade, nothing but emptiness |