| LAT | RTMC | RTC | note: “~” = the film's name | |
| documentary | ||||
| Rebels on Pointe | yes | 100 | 100 | Les Ballets Trockadero de Monte Carlo |
| No Greater Love | yes | 100 | 100 | powerfully documents soldiers' sacrifices |
| Jim and Andy: The Great Beyond … | yes | 100 | 100 | *follows Carrey's deep dive into the mind of Kaufman |
| Everybody Knows … Elizabeth Murray | yes | 100 | 100 | brings the artist's work boldly to life |
| Destination Unknown | yes | 100 | 100 | records Holocaust survivors' emotional recall |
| Bill Nye: Science Guy | yes | 100 | 100 | Smart and swift, informs and inspires |
| A River Below | yes | 100 | 100 | reveals murkiness of best intentions |
| A Gray State | yes | 100 | 100 | 2015 death of Iraq war veteran and his family |
| Soufra | yes | 100 | An uplifting refugee tale illuminates a bigger picture | |
| Cuba and the Cameraman | yes | 100 | Filmmaker forges bond over decades | |
| Company Town | yes | 100 | takes aim at factory owners in Arkansas | |
| Bombshell: The Hedy Lamarr Story | yes | 97 | 100 | *uncovers the secret life of a Hollywood glamour queen |
| Gilbert | yes | 94 | 100 | reveals side of comic Gottfried you've likely never seen |
| The Rape of Recy Taylor | yes | 92 | 90 | a somber, vital tribute to black women in the Jim Crow era |
| Wait for Your Laugh | yes | 92 | 88 | *Rose Marie and her 90 years in show biz |
| Big Sonia | yes | 92 | 80 | Nonagenarian Holocaust survivor delivers powerful life lesson |
| Intent to Destroy | yes | 91 | 83 | examines Armenian genocide |
| The Final Year | yes | 82 | gains emotional heft in the wake of the 2016 election | |
| Frank Serpico | yes | 75 | 86 | catches up with the truth-seeking New York cop |
| No Stone Unturned | yes | 75 | 29 | the Irish Troubles in [this] angry true-crime doc |
| The Challenge | yes | 75 | Qatari sheiks pursue passion for falconry | |
| Along for the Ride | yes | 70 | 60 | artfully goes 'Along for the Ride' with Dennis Hopper |
| The Dancer | yes | portrays creativity and passion of Loïe Fuller | ||
| I Am Evidence | yes | advocates for sexual assault victims | ||
| Charged: The Eduardo Garcia Story | yes | reveals a survivor's courage | ||
| Bunker77 | yes | captures stranger-than-fiction life of bohemian surfer | ||
| Arthur Miller: Writer | yes | draws a tender portrait of her father | ||
| Apache Warrior | yes | chronicles 2003 air strike in Iraq with intensity | ||
| A German Life | yes | Chilling account of looking the other way | ||
| A Dying King: The Shah of Iran | yes | chronicles monarch's strange demise | ||
| Shadowman | so-so | 92 | 100 | fizzy, interview-laden love letter |
| Voyeur | so-so | 78 | 70 | fascinating and frustrating |
| What Happened in Vegas | so-so | blows the whistle on local police | ||
| Uncle Gloria: One Helluva Ride! | so-so | chronicles transgender woman's wild journey | ||
| Extraordinary Ordinary People | so-so | clunky organization give way to something inspiring | ||
| Eric Clapton: Life in 12 Bars | so-so | Clapton exorcising personal demons | ||
| And the Winner Isn't | so-so | diverting, oddly candid, often satirical | ||
| 11/8/16 | no | 75 | 83 | little more than a depiction of parallel roller coasters |
| The New Radical | no | 58 | 71 | becomes increasingly sickening as we watch |
| Naples '44 | no | 57 | haphazardly assembled in tone | |
| From the Ground Up | no | Vegan athlete doc lacks depth and focus | ||
| animated | ||||
| The Breadwinner | yes | 93 | 93 | *a striking and affecting animated film set in modern Kabul |
| Mary and the Witch's Flower | yes | 92 | opens a world of visual enchantment | |
| Coco | so-so | 96 | 93 | sings a high-spirited but sometimes faltering tune |
| The Star | no | 44 | 33 | [The] Nativity tale in unremarkable storytelling |
| Cinderella the Cat | no | Violent sci-fi strays far from source | ||
| regular movies | ||||
| Foxtrot | yes | 100 | 100 | Israel's hottest export of the year and lives up to the hype |
| Mr. Roosevelt | yes | 100 | 100 | Noël Wells proves you can go home again |
| Holy Air | yes | 100 | provides [a] clever, melancholic take on religion and commerce | |
| BPM (Beats Per Minute) | yes | 99 | 100 | *salutes early '90s AIDS activism |
| Lady Bird | yes | 99 | 100 | *a coming-of-age movie so real you won't believe it's fiction |
| Félicité | yes | 97 | 100 | a gorgeous blur of chatter, movement and song |
| Most Beautiful Island | yes | 97 | 100 | Ana Asensio is a triple threat in the haunting thriller |
| Aquarius | yes | 97 | 94 | *tale of social and political decay is richly told |
| Call Me by Your Name | yes | 96 | 98 | *a new coming-of-age classic |
| Mudbound | yes | 96 | 94 | *Two Southern families bound by war and prejudice |
| The Light of the Moon | yes | 95 | 100 | Fearless drama captures aftermath of sexual assault |
| 1945 | yes | 94 | 100 | unadorned parable the nature and consequences of evil |
| On the Beach at Night Alone | yes | 94 | 91 | prickly, fascinating |
| Three Billboards Outside Ebbing, Missouri | yes | 93 | 94 | the nature of grief, revenge, violence and despair |
| Loveless | yes | 92 | 92 | corrosive and hypnotic |
| The Shape of Water | yes | 92 | 91 | *a wonder to behold; magical, thrilling and romantic to the core |
| The Disaster Artist | yes | 92 | 88 | *a hilarious, heartening celebration of failure |
| A Fantastic Woman | yes | 90 | 100 | *captivating transgender drama |
| The Other Side of Hope | yes | 90 | 90 | *don't ask, just go with the flow |
| Princess Cyd | yes | 90 | 82 | love and friendship in a Chicago summer |
| Song of Granite | yes | 87 | 83 | Irish language and songs burn bright in moody ~ |
| Blade of the Immortal | yes | 85 | 88 | *Takashi Miike goes big with bloody action |
| The Divine Order | yes | 84 | 85 | Swiss women get the vote (in 1971!) |
| Detroit | yes | 84 | 84 | *searing, vital |
| My Friend Dahmer | yes | 82 | 83 | *observes the damaged teenage pathology of a killer before he strikes |
| The Man Who Invented Christmas | yes | 80 | 72 | *amusing patchwork of truths, half-truths and pure fiction |
| Hollow in the Land | yes | 75 | 80 | has a winning similarity to 'Winter's Bone' |
| Last Flag Flying | yes | 74 | 73 | *warm, ribald and elegiac |
| Angelica | yes | 70 | *an alternately handsome and harrowing ghost stor | |
| Bitch | yes | 67 | 43 | riotous, unsettling, pitch-dark comedy-drama |
| Bullet Head | yes | 54 | 38 | Adrien Brody and company power well-crafted |
| Justice League | yes | 40 | 24 | *a seriously satisfying superhero movie |
| Badsville | yes | Escape is the challenge in gritty crime drama | ||
| Heart Blackened | yes | effectively pairs glitz and crime | ||
| Revolt | yes | *delivers a swift, satisfying alien invasion | ||
| A Bad Idea Gone Wrong | so-so | 100 | has funny moments amid many loose ends | |
| Bad Match | so-so | 100 | unleashes a fatal attraction for the Tinder set | |
| I Remember You | so-so | 100 | distinctive, if too reserved | |
| Thelma | so-so | 92 | 96 | takes an unsettling look at religion and sexuality |
| Thor: Ragnarok | so-so | 92 | 89 | About halfway through, Thor gets a haircut |
| Wonder | so-so | 85 | 84 | earnest message about kindness; After School Special flaws |
| Sweet Virginia | so-so | 77 | 82 | dimly lighted and hushed to a fault |
| The Pirates of Somalia | so-so | 63 | glib, overdone | |
| Another WolfCop | so-so | 60 | More genial Canadian vulgarity on tap in horror-comedy ~ | |
| A Bride for Rip Van Winkle | so-so | 57 | overlong yet alluring | |
| The Swindlers | so-so | 40 | Who do you trust in slick Korean thriller ~ | |
| 24 Hours to Live | so-so | 38 | 60 | DOA meets John Wick; crisply photographed B-movie junk |
| Battlecreek | so-so | Mixed performances set tone in Southern melodrama | ||
| I, Tonya | no | 89 | 89 | her story is upstaged by the secondhand goombah shenanigans |
| Darkest Hour | no | 85 | 89 | Gary Oldman's performance lifts Joe Wright's overwrought directing |
| Mayhem | no | 82 | 70 | Bloody horror-comedy not to all tastes |
| The Price | no | 71 | 71 | Wall Street striver drama tripped up by clichés |
| It Happened in L.A. | no | 67 | 57 | Indie satire goes heavy on the misery |
| The Tribes of Palos Verdes | no | 65 | 43 | Coastal fog smothers domestic drama |
| Kaleidoscope | no | 63 | 50 | a bit too taken with its own muddling of facts and form |
| Maya Dardel | no | 62 | 43 | succumbs to the pretentiousness it aims to subvert |
| Daisy Winters | no | 60 | Would-be tearjerker tries too hard | |
| Murder on the Orient Express | no | 57 | 50 | Kenneth Branagh gives good Poirot, clumsy direction |
| LBJ | no | 54 | 48 | lacks a distinctive voice |
| Love Beats Rhymes | no | 50 | 33 | spins out clichés |
| Porto | no | 50 | 33 | more heavy-handed than insightful |
| Kepler's Dream | no | 50 | Family drama is strangely earthbound | |
| Roman J. Israel, Esq. | no | 49 | 59 | Denzel Washington's remarkable performance isn't helped by plot |
| Amanda & Jack Go Glamping | no | 40 | rom com provides neither love nor laughs | |
| Wonder Wheel | no | 30 | 29 | a turn for the worse for Woody Allen |
| A Bad Moms Christmas | no | 29 | 15 | Unwrapped, is an offense to women |
| Almost Friends | no | 29 | Ill-timed, tone-deaf; gets romance all wrong | |
| Cook Off! | no | 20 | Stale mockumentary misses its mark | |
| Destined | no | 20 | Uninspired parallel lives drama falls on clichés | |
| Daddy's Home 2 | no | 19 | 15 | hits and misses while dashing through the gags |
| Psychopaths | no | 15 | Genre auteur Mickey Keating slips with ponderous ~ | |
| Just Getting Started | no | 5 | 11 | will have viewers audibly sighing, rather than laughing |
| Gangster Land | no | 0 | goes soft on crime (and authenticity) | |
| Alien Invasion: S.U.M.1 | no | Visuals and ambition can't elevate ~ | ||
| Art Show Bingo | no | leaves a lot of empty squares | ||
| Attack of the Killer Donuts | no | Horror-comedy lacks imagination | ||
| Bad Grandmas | no | an excruciatingly flat, forced Southern-fried farce | ||
| Brotherhood of Blades II | no | wuxia action dulled by story | ||
| Dark Meridian | no | New Orleans crime thriller too twisty for its own good | ||
| Drawing Home | no | Dutifully dull romance trods beautiful but bumpy road | ||
| Oasis | no | serves as little more than a Panamanian travelogue | ||
| Remember Me | no | Rita Moreno is memorable. Otherwise ... | ||
| Repatriation | no | Returning vet drama plods into dizzying banality | ||
| Slumber | no | Routine thriller boasts Maggie Q, but little else | ||
| The Doll | no | Human Barbie can't save from its own incompetent horror |