| LAT | RTMC | RTC | note: “~” = the film's name | |
| documentary | ||||
| Pick of the Litter | yes | 100 | 100 | a complete delight, a much-needed balm for the soul |
| Inventing Tomorrow | yes | 100 | 100 | it’s their futures you want them to win |
| Free Solo | yes | 100 | 100 | El Capitan with no ropes |
| Susanne Bartsch: On Top | yes | 100 | persuasive canonization | |
| Letter From Masanjia | yes | 100 | human suffering, compassion and perseverance | |
| Science Fair | yes | 98 | 10 | It’s showtime for smarties |
| Hale County This Morning, This Evening | yes | 95 | 100 | involving visual symphony |
| Bisbee '17 | yes | 95 | 94 | impressive in its scale and sweep |
| Garry Winogrand: All Things Are Photographable | yes | 93 | 100 | a fine exploration of the artist |
| Hal | yes | 91 | 82 | lively and evocative |
| Antonio Lopez 1970: Sex Fashion & Disco | yes | 88 | A warm remembrance | |
| Love, Gilda | yes | 87 | 83 | *a stirring valentine |
| Kusama — Infinity | yes | 84 | 100 | A mesmerizing work of art |
| Active Measures | yes | 83 | 86 | [a] thorough, chilling rabbit-hole inquiry |
| Reversing Roe | yes | 83 | timely | |
| Quincy | yes | 78 | 70 | loving and yet surprisingly clear-eyed |
| Fahrenheit 11/9 | yes | 77 | 70 | *channels outrage in a messy, powerful way |
| The Sentence | yes | A family torn apart | ||
| Studio 54 | yes | immersive and entertaining | ||
| Moynihan | yes | unusually detailed and thoughtful | ||
| Living in the Future's Past | yes | Climate change as a cultural problem | ||
| Above and Beyond: NASA's Journey to Tomorrow | yes | a slick, engrossing sizzle reel of the agency's triumphs | ||
| John McEnroe: In the Realm of Perfection | so-so | 88 | 89 | at times risks being too pleased with itself |
| Chasing the Win | so-so | lags a bit in the backstretch | ||
| animated | ||||
| Smallfoot | so-so | 73 | 67 | clever twist on the Yeti myth works well |
| regular | ||||
| Tea With the Dames | yes | 100 | 100 | *Candid, insightful and unpredictable |
| I Am Not a Witch | yes | 97 | 100 | *audacious satire of modern Africa is deeply involving |
| The Hate U Give | yes | 96 | 94 | *A girl changed by 'Hate' |
| Private Life | yes | 95 | 96 | *a brilliantly agonizing peek into fertility woes |
| Mandy | yes | 94 | 95 | *visionary revenge thriller |
| The Kindergarten Teacher | yes | 91 | *deft and intelligent minor-key variation | |
| A Star Is Born | yes | 90 | 96 | *Passionate, emotional and fearless; gangbusters |
| Old Man & the Gun | yes | 90 | 95 | *Robert Redford hits the bull's-eye |
| Hereditary | yes | 89 | 96 | *supremely tense and devastating |
| All About Nina | yes | 89 | 82 | *Both bleakly humorous and laugh-out-loud funny |
| First Man | yes | 88 | 89 | *soars beyond the typical biopic |
| After Everything | yes | 88 | real soul and gravitas | |
| Museo | yes | 87 | 100 | a fun, stylish, singular heist flick |
| Knuckleball | yes | 87 | A thriller, but with a slow build | |
| White Rabbit | yes | 86 | a fast-moving, funny film | |
| Colette | yes | 85 | 86 | *shrewd, witty |
| A Simple Favor | yes | 85 | 80 | *bracing as an ice-cold gin martini |
| Monsters and Men | yes | 83 | 95 | *A police shooting is viewed from three perspectives |
| The Land of Steady Habits | yes | 83 | 75 | Laying it all out with a piercing authenticity |
| 22 July | yes | 80 | *Aftermath of terror | |
| The Last Suit | yes | 78 | 83 | A road-trip-flick with distinction |
| Let the Corpses Tan | yes | 77 | 67 | *a gorgeous, nasty valentine |
| Five Fingers for Marseilles | yes | 74 | 86 | crackles with energy toward an explosive finale |
| Final Score | yes | 71 | 80 | sufficiently fleshed out and well performed |
| The Happy Prince | yes | 71 | dreamy, inventive and beautifully crafted | |
| Hold the Dark | yes | 70 | 75 | The moodily violent, Alaska-set mystery |
| Wobble Palace | yes | 70 | dreamy, sunny; an elevated look | |
| The House With a Clock in Its Walls | yes | 67 | 57 | moderately transporting, visually elaborate |
| Sierra Burgess Is a Loser | yes | 65 | 60 | Netflix high school rom-com |
| Stella's Last Weekend | yes | 65 | A chatty family affair with feeling | |
| The Little Stranger | yes | 59 | 63 | tells a familiar but pleasurably engrossing story |
| Bel Canto | yes | 58 | 75 | Swelling with humanity and romance |
| White Boy Rick | yes | 58 | 50 | tender and tragic among the glitz and the grime |
| Trouble | yes | 50 | 50 | Bumper crop of fine acting |
| Painless | yes | This won’t hurt a bit. No, really | ||
| Blaze | so-so | 98 | 100 | overlong, shaggy slice of musical Americana |
| Heavy Trip | so-so | 91 | 100 | spewing bodily functions; amusing ride |
| The Sisters Brothers | so-so | 85 | 84 | Is this a western or a comedy? |
| Sadie | so-so | 79 | meanders and is often a bit pokey | |
| Black 47 | so-so | 76 | 75 | Anglo-Irish western-style revenge tale |
| The Children Act | so-so | 69 | 79 | evinces measured intelligence, but ... |
| The Apparition | so-so | 65 | 57 | somewhat less than the sum of its parts |
| Boarding School | so-so | 38 | 40 | uncompromising coming-of-age psychodrama/gothic horror |
| Mara | so-so | 14 | eventually delivers some decent scares | |
| Alright Now | so-so | crazy, loose energy | ||
| Beyond the Sky | so-so | a pastiche of The X-Files and Close Encounters | ||
| Longing | so-so | a gutsy slice of emotional complexity | ||
| The Samuel Project | so-so | Flaws can't blunt Holocaust drama | ||
| Revenge | no | 93 | 95 | gradually finds its way to a predictable |
| Nelly | no | 86 | flows with endless melodrama | |
| A Crooked Somebody | no | 80 | 80 | He didn't see this coming? Really? |
| Apostle | no | 80 | piles it on with a supernatural twist | |
| Chasing the Blues | no | 80 | as tiresome as a stuck record | |
| Diane | no | 80 | Thriller takes an aimless direction | |
| Scaffolding | no | 80 | small-bore Israeli drama | |
| Bad Times at the El Royale | no | 73 | 60 | messy Tarantino-esque thriller |
| The Ranger | no | 72 | promises more than it delivers | |
| Assassination Nation | no | 70 | 59 | An insulting grrrl power ruse |
| Beautiful Boy | no | 69 | overly familiar and dramatically unsatisfying | |
| I Think We’re Alone Now | no | 66 | 10 | illogical, unremarkable concerns |
| Lizzie | no | 64 | 63 | methodical and measured to a fault |
| Blood Fest | no | 62 | strictly for fans | |
| The Oath | no | 62 | enough to give you indigestion | |
| Lost Child | no | 50 | A bonding effort better left undone | |
| MDMA | no | 50 | Little insight into a drug dealer’s life | |
| Shine | no | 50 | melodramatic story makes "West Side Story" look subdued | |
| Goosebumps 2: Haunted Halloween | no | 48 | a dud | |
| The Song of Sway Lake | no | 47 | 14 | Much nostalgia, but little story |
| The Laws of Thermodynamics | no | 44 | Science can’t help generic rom-com | |
| Destination Wedding | no | 43 | 24 | a painfully indulgent anti-romantic comedy |
| Cruise | no | 38 | '80s throwback is just that, no more | |
| The Predator | no | 34 | 26 | will make you laugh and groan |
| Little Women | no | 33 | 14 | New take feels stuck in the past |
| Unbroken: Path to Redemption | no | 33 | 0 | Too much time on one ‘Path’ |
| Ride | no | 33 | On a ‘Ride’ to nowhere | |
| Kin | no | 31 | 20 | a dark and confounding young-adult thriller |
| Night School | no | 29 | 36 | mediocre material fails skilled ensemble |
| Loving Pablo | no | 29 | 25 | broad and glossy biopic |
| Venom | no | 29 | 18 | as sludgy as it looks |
| The Nun | no | 28 | 35 | Habit-forming? Not this ‘Nun’ |
| Little Italy | no | 23 | Pizza with a side of stereotypes | |
| Bayou Caviar | no | 20 | Cajun hash | |
| A Happening of Monumental Proportions | no | 18 | 14 | A wealth of talent with scant results |
| Peppermint | no | 13 | 14 | action thriller that misses the true targets |
| Life Itself | no | 13 | 6 | emotionally sadistic |
| God Bless the Broken Road | no | 13 | narrative hodgepodge | |
| Reprisal | no | 0 | 0 | a strictly routine B-movie |
| American Dresser | no | 0 | Full of plotholes and potholes | |
| Maximum Impact | no | 0 | A tolerably dumb action comedy | |
| Age of Summer | no | Sunny teen tale makes few waves | ||
| An Actor Prepares | no | comedic road movie doesn’t take any fresh detours | ||
| Bigger | no | If only the script had worked out | ||
| Cynthia | no | awfully bland | ||
| Lost Fare | no | well-meaning indie drama | ||
| Morning, Noon & Night | no | meandering, pointless and boring | ||
| The Breeding | no | Artsy and erotic, but pretentious | ||
| The Church | no | Horrors-it's so bad, it's amusing | ||
| The Padre | no | A noir unworthy of its locations |