| LAT | RTMC | RTC | note: “~” = the film's name | |
| documentary | ||||
| The Russian Five | yes | 100 | 98 | moving in ways you won’t see coming |
| 5B | yes | 100 | 97 | superbly told |
| At the Heart of Gold: Inside the USA Gymnastics Scandal | yes | 100 | 90 | a compellingly woven true-crime primer |
| The River and the Wall | yes | 100 | 89 | compelling, gorgeously shot, super-timely |
| The Cold Blue | yes | 100 | 83 | rediscovered wartime footage that William Wyler shot. |
| General Magic | yes | 100 | 82 | involving |
| The Silence of Others | yes | 100 | 82 | brutal regime affectingly illustrated |
| The Black Godfather | yes | 100 | affectionate, illuminating | |
| Barbara Rubin & the Exploding NY Underground | yes | 100 | a visually and artistically compelling portrait | |
| Knock Down the House | yes | 99 | 11 | A woman with a dream |
| Toni Morrison: The Pieces I Am | yes | 97 | 96 | Heartfelt portrait |
| Carmine Street Guitars | yes | 97 | 71 | Composed evident affection for the subjects |
| The Edge of Democracy | yes | 97 | 68 | brilliant, compelling |
| For the Birds | yes | 93 | 88 | A deeper look at animal hoarding |
| The Fealing of Being Watched | yes | 93 | place[s] its events in a larger context | |
| The Serengeti Rules | yes | 92 | 95 | the transformative power of curiosity and knowledge |
| Ask Dr. Ruth | yes | 92 | 94 | Just as charming as its subject |
| The Most Dangerous Year | yes | 91 | 100 | humble yet deeply moving |
| The Biggest Little Farm | yes | 91 | 95 | It's farm-fabulous, babe |
| Echo in the Canyon | yes | 90 | 92 | a peace-love-understanding high |
| The Raft | yes | 90 | 85 | a mind-blowing nonfiction adventure |
| Leaving Home, Coming Home: A Portrait of Robert Frank | yes | 90 | A long-awaited look at a master | |
| Walking on Water | yes | 88 | 89 | Christo and Jeanne- Claude’s kinetic art |
| 16 Shots | yes | 88 | One teen’s killing, and a city’s rage | |
| Pavarotti | yes | 87 | 97 | warm, emotional and completely involving |
| Woodstock: Three Days That Defined a Generation | yes | 86 | 84 | Showing the love amid the mud |
| Meeting Gorbachev | yes | 86 | 69 | surprisingly warm, eccentric |
| Mosul | yes | 83 | 99 | thought-provokingly portrayed |
| Hesburgh | yes | 82 | 100 | thoroughly engaging |
| Pasolini | yes | 78 | 32 | one troublemaker looking after another’s legacy |
| Halston | yes | 77 | 88 | gorgeous; extensive historical footage |
| The Spy Behind Home Plate | yes | 77 | 85 | *authoritative and engrossing |
| This One’s for the Ladies | yes | 72 | 60 | male strippers and the women who love their work |
| The Quiet One | yes | 65 | 92 | The unassuming Stone |
| Foster | yes | 83 | A vital documentary | |
| That Pärt Feeling: The Universe of Arvo Pärt | yes | lovely, slender documentary | ||
| Rolling Thunder | yes | Remarkable but takes liberty with the truth | ||
| True Justice: Bryan Stevenson’s Fight for Equality | yes | coolly passionate | ||
| The Proposal | so-so | 97 | 50 | sly, evocative reconstituting of Barragán |
| Framing John DeLorean | so-so | 90 | 64 | Dramatic reenactments; otherwise involving |
| XY Chelsea | so-so | 65 | portrait not as satisfying as it could be | |
| Running With Beto | no | 91 | doesn’t provide much history or personal dimension | |
| Chasing Portraits | no | 88 | required a more visually adept depiction | |
| Instant Dreams | no | 72 | 88 | It can’t shake its flashy ostentation |
| animated | ||||
| Okko's Inn | yes | 100 | 84 | Welcoming spirit in Japanes ghost story |
| Toy Story 4 | yes | 97 | 94 | grows up, but it keeps the joy and emotional investment intact |
| Funan | yes | 93 | 76 | a stunning piece of animation |
| The Secret Life of Pets 2 | yes | 60 | 90 | Just as appealing as puppy dog eyes |
| Ugly Dolls | no | 28 | 54 | more a toy pitch than a film |
| regular movies | ||||
| The Wandering Soap Opera | yes | 100 | 67 | a view of turbulent reality |
| Our Evil | yes | 100 | 58 | assured, unconventional genre picture |
| Kanarie | yes | 100 | rich, poignant and finely observed musical drama | |
| Too Late to Die Young | yes | 98 | 52 | mysterious and absorbing |
| The Reports on Sarah and Saleem | yes | 94 | 86 | snaps, crackles and pops |
| Shadow | yes | 94 | 80 | stunning but often impenetrable |
| Sauvage/Wild’ | yes | 93 | 72 | a sensitive look at the life of a sex worker |
| Rafiki | yes | 93 | 70 | A vibrant, visual romance |
| Wild Rose | yes | 92 | 87 | Ballad of a Glasgow belter |
| The Last Black Man in San Francisco | yes | 92 | 84 | A moving ode to a city in flux |
| Joy | yes | 92 | 79 | the Africa-to-Europe sex slave trade |
| Grass | yes | 92 | 65 | short, sharp, teases with ambiguity |
| Q Ball | yes | 91 | 91 | the redemptive power of team camaraderie |
| In the Aisles | yes | 90 | 65 | a German supermarket romance |
| The Souvenir | yes | 90 | 36 | an exquisite drama |
| Rocketman | yes | 89 | 88 | bright, kaleidoscopic visuals |
| John Wick: Chapter 3 — Parabellum | yes | 89 | 86 | wicked grace |
| The Third Wife | yes | 88 | 68 | a truly gorgeous, detailed picture book of intimacy |
| Non-Fiction | yes | 87 | 49 | an enticing blend of the comic and the serious |
| Avengement | yes | 84 | 71 | A genuinely engaging story veers from pubs to prisons |
| Marilyn | yes | 83 | a gripping, coming-of-age drama set in Argentina | |
| Long Shot | yes | 81 | 74 | charm, chemistry and timely satire |
| Late Night | yes | 80 | 77 | This comedy never forgets to be funny |
| Photograph | yes | 79 | 64 | A winsome snapshot of love |
| Yomeddine | yes | 77 | 90 | A moving tale about acceptance |
| Nightmare Cinema | yes | 76 | 43 | Gory tales scare up a good time |
| All Creatures Here Below | yes | 71 | 63 | unbelievably tragic twists and turns |
| The Perfection | yes | 71 | 57 | A darkly devine turn |
| The Command | yes | 69 | 56 | Doomed Russian sub thriller rivets |
| White Crow | yes | 67 | 80 | an involving biographical drama |
| My Son | yes | 63 | 17 | engrossing, propulsive |
| Charlie Says | yes | 59 | 70 | a feminist exploration of Manson’s girls |
| Brightburn | yes | 57 | 67 | gore-splattered film mixes genres to fun, frightening effect |
| American Woman | yes | 57 | 25 | the tone wobbles a bit, but ... |
| The Sun Is Also a Star | yes | 52 | 61 | deep-dish romantic fantasy with a bit of grit thrown in |
| A Dog’s Journey | yes | 51 | 91 | Emotional bite enhances ‘Dog’s’ soft bark |
| Hampstead | yes | 43 | 40 | charming, often witty |
| The Intruder | yes | 33 | 68 | will make you jump and laugh |
| Shéhérazade | yes | 88 | melodramatic and dreamlike, desperate souls | |
| Leto | yes | vibrant portrait of Leningrad’s early 1980s rock scene | ||
| Booksmart | so-so | 96 | 77 | keeps rattling off surprise after surprise |
| Mouthpiece | so-so | 91 | 63 | a cinematic storytelling experiment |
| Funny Story | so-so | 83 | 71 | a moderately funny comedy |
| Bolden | so-so | 70 | 40 | vivid and inventive, overly violent musical-drama |
| Pokémon Detective Pikachu | so-so | 68 | 75 | action sequences are inane, chaotic and incomprehensible |
| Annabelle Comes Home | so-so | 64 | 70 | Strung too tightly; needs more jump scares |
| The Extraordinary Journey of the Fakir | so-so | 60 | 83 | A meandering but entertaining trip |
| Aladdin | so-so | 57 | 94 | despite a few bumps, is mostly worth it |
| Ma | so-so | 56 | 64 | Octavia Spencer rises above a schlocky tale |
| The Dead Don’t Die | so-so | 54 | 38 | too arch and remote to fully enjoy |
| Tell It to the Bees | so-so | 53 | 61 | unassumingly square and overly familiar |
| Godzilla: King of the Monsters | so-so | 42 | 83 | for the last half-hour anyway |
| The Last | so-so | cross-generational drama is provocative, but ... | ||
| Find Me | no | 100 | 57 | come[s] together in ways that feel forced |
| We Have Always Lived in the Castle | no | 87 | 75 | Family mystery is strangely clueless |
| All Is True | no | 72 | 66 | well-intentioned but disappointing |
| Burn Your Maps | no | 67 | 77 | In Mongolia but going nowhere |
| Child’s Play | no | 64 | 57 | lacks devilish soul of original |
| Trial by Fire | no | 61 | 72 | too heavy-handed |
| The Fall of the American Empire | no | 60 | 78 | Heist satire more talk than action |
| J.T. LeRoy | no | 55 | 39 | Literary hoax tale lacks verve |
| Extremely Wicked, Shockingly Evil and Vile | no | 54 | 57 | exasperatingly oblique |
| The Dead Don’t Die | no | 54 | 38 | ‘Dead’ on arrival |
| Tolkien | no | 51 | 71 | fails to draw us into an inventive mind |
| Murder Mystery | no | 45 | 43 | The clues don’t point to laughs |
| The Tomorrow Man | no | 42 | 44 | the script keaves them abandoned |
| El Chicano | no | 40 | 55 | a marked separation between Mexican Americans and Mexican nationals |
| Poms | no | 36 | 73 | Rah, rah, rah, sis boom bomb |
| Shaft | no | 34 | 94 | seems stuck in past |
| Anna | no | 33 | 81 | A well-made movie that feels like a dodge |
| Domino | no | 33 | 17 | The pieces don’t quite fall in line |
| Men in Black: International | no | 23 | 66 | weightless, unmemorable |
| Dark Phoenix | no | 22 | 64 | rises, then dives |
| The Hustle | no | 13 | 43 | one walks away feeling a little, well, hustled |
| The Professor | no | 10 | 77 | Tough course for a miscast Depp |
| Mektoub, My Love: Intermezzo | no | 10 | 77 | hits cinema's bottom |
| Rattlesnakes | no | 78 | Twist after twist but no revelations |