| LAT | RTMC | RTC | note: “~” = the film's name | |
| documentary | ||||
| Honeyland | yes | 100 | 86 | captivating and, finally, devastating |
| American Heretics: The Politics of the Gospel | yes | 100 | equal parts intellect, empathy and faith | |
| Angels Are Made of Light | yes | 100 | done with beauty and grace | |
| Maiden | yes | 98 | 97 | mighty tale about the majesty of the human spiri |
| One Child Nation | yes | 98 | 85 | disturbing, scrupulously non-exploitative |
| Love, Antosha | yes | 97 | 93 | a heartfelt goodbye |
| Mike Wallace Is Here | yes | 95 | 86 | crackerjack |
| Blue Note Records: Beyond The Notes | yes | 95 | captivating | |
| Sea of Shadows | yes | 94 | 100 | A save-the-seas crime thriller |
| David Crosby: Remember My Name | yes | 93 | 87 | elegiac |
| Jay Myself | yes | 89 | 87 | Intimate portrait of N.Y. character |
| This Changes Everything | yes | 88 | 100 | earnest and passionate |
| Aquarela | yes | 86 | 32 | submersed in power and poetry |
| The Great Hack | yes | 85 | 66 | significant and provocative |
| Cassandro the Exotico | yes | 85 | 56 | mélange of observation, music-laden montage and dreamlike fantasy |
| Cold Case Hammarskjöld | yes | 83 | 73 | twisty, thorny, grips, jolts and exasperates |
| Armstrong | yes | 75 | 74 | gets to the heart of the man |
| Bethany Hamilton: Unstoppable | yes | 74 | 95 | Pro surfer’s life is an inspiring feat |
| The Amazing Johnathan Documentary | so-so | 80 | 57 | inherent uncertainty |
| Back to the Fatherland | no | 44 | patchy storytelling and uncertain aims | |
| Amplify Her | no | 100 | too much of a grab-bag | |
| animated | ||||
| Buñuel in the Labyrinth of the Turtles | yes | 98 | 75 | nose-thumber to more engaged, complicated artist |
| The Angry Birds Movie 2 | yes | 73 | 84 | feathers and singers fly in funny sequel |
| The Lion King | no | 52 | 88 | less like an adaptation than a feeble betrayal |
| Sound! Euphonium the Movie — Our Promise: A Brand New Day | no | lack of development feels frustrating | ||
| regular movies | ||||
| Teacher | yes | 100 | 59 | expertly gets under your skin — and stays there |
| Crown and Anchor | yes | 100 | utterly absorbing | |
| The Chambermaid | yes | 99 | 60 | brims with empathy and life |
| The Farewell | yes | 97 | 87 | charming |
| Firecrackers | yes | 96 | 60 | fast and furious feminine filmmaking |
| Rojo | yes | 96 | 40 | sophisticatedly entertaining |
| The Peanut Butter Falcon | yes | 95 | 96 | heartfelt; charming |
| I Do Not Care If We Go Down in History as Barbarians | yes | 95 | 58 | Brilliant, brainy edification |
| Kingdom | yes | 94 | 96 | A thrilling whirl of manga heroes |
| Rosie | yes | 94 | 79 | But few [films] can quietly move you as much |
| Ray & Liz | yes | 94 | bleak as it is, it’s remarkably devoid of bitterness | |
| Spider-man: Far From Home | yes | 90 | 95 | a welcome jolt of comic energy, emotional twists, turns |
| Tel Aviv on Fire | yes | 90 | 86 | droll and delightful |
| Socrates | yes | 90 | 82 | empathy-inducing; a rawness of spirit |
| Luce | yes | 90 | 77 | coolly analytical and absorbing |
| Blinded by the Light | yes | 88 | 91 | enough potential to get picked up at Sundance |
| Luz | yes | 87 | 58 | Euro-horror will rattle your soul |
| The Nightingale | yes | 86 | 73 | profound and difficult |
| Diamantino | yes | 86 | 60 | uneven, unforgettable lunacy |
| Dora and the Lost City of Gold | yes | 85 | 88 | a winning adaptation |
| Once Upon a Time … in Hollywood | yes | 85 | 70 | I reacted with distinct pleasure to ~ |
| Midsommar | yes | 83 | 63 | Luxuriant deep-tissue freakout |
| The Art of Self-Defense | yes | 83 | 63 | Striking at toxic masculinity |
| Light of My Life | yes | 82 | 73 | heartrending survivalist saga |
| A Faithful Man | yes | 81 | 56 | tweaks a classic format with gimmicks and twists |
| Good Boys | yes | 80 | 86 | raucous teenage comedy |
| Endzeit — Ever After | yes | 80 | 35 | A fairy tale threatened with zombies |
| Marianne & Leonard: Words of Love | yes | 79 | 85 | Poets do not make good husbands |
| Jirga | yes | 78 | 77 | remarkable truthfulness; conscientiously produced |
| Scary Stories to Tell in the Dark | yes | 77 | 72 | exhilarating ickiness and loud jump scares |
| The Other Story | yes | 71 | 89 | Filled to the brim with intense emotions |
| Gwen | yes | 71 | 76 | eerie quiet and grim portent |
| Driven | yes | 71 | 65 | glib comedy to crime thriller |
| At War | yes | 70 | 92 | a lot of the grit and outrage |
| Fast & Furious Presents: Hobbs & Shaw | yes | 67 | 88 | kicks the insult comedy into gleeful overdrive |
| Brian Banks | yes | 63 | 97 | more tense and involving than might be anticipated |
| Them That Follow | yes | 59 | 43 | Holy serpents, so many secrets |
| Where’d You Go, Bernadette | yes | 50 | 74 | As eccentric as its heroine |
| Is That You? | yes | quietly creepy Cuban horror film | ||
| One Bedroom | yes | Engaging case of he-said, she-said | ||
| Sword of Trust | so-so | 94 | 63 | has a point but also stumbles a bit |
| The Ground Beneath My Feet | so-so | 90 | 71 | flawed gem |
| Exit | so-so | 83 | 94 | simplistically digestible and ultimately predictable |
| Cities of Last Things | so-so | 81 | 69 | mostly a captivating, brooding churner about fate |
| Darlin' | so-so | 68 | 47 | Savage or savior, all the same |
| Piranhas | so-so | 58 | 61 | drags in moments, but ... |
| Ask for Jane | so-so | 50 | 88 | is moving, despite its flaws |
| 15 Minutes of War | so-so | 43 | 83 | mildly disappointing thriller, but ... |
| A Score to Settle | so-so | 15 | 17 | occasionally riveting |
| Cold Blood | so-so | 0 | 16 | well made but hard to warm to |
| The Son | so-so | 56 | moderately distinctive psychological thriller | |
| Cocaine Condor | so-so | production at the level of a YouTube video, but ... | ||
| Euphoria | no | 88 | 85 | draggy pace and flat, blunt dialogue |
| Low Low | no | 86 | covers a bit too much ground | |
| Crawl | no | 84 | 75 | Awash in daddy issues |
| Coyote Lake | no | 83 | 73 | Strong premise drained |
| Skin | no | 76 | 83 | never goes deeper |
| Above the Shadows | no | 70 | 66 | Like its heroine, story fades away |
| Bottom of the 9th | no | 69 | 66 | Too far down to make a comeback |
| Three Peaks | no | 69 | ends up letting you down | |
| Skin in the Game | no | 67 | 69 | buried under a thick layer of grime from its script |
| Astronaut | no | 65 | 63 | Space tale stuck on launching pad |
| Yesterday | no | 64 | 89 | thinly imagined comic fantasy |
| The Mountain | no | 64 | 32 | Painting the ’50s with a gloomy brush |
| Our Time | no | 63 | 70 | reveals more beauty than insights |
| Ophelia | no | 62 | 60 | gets a do-over |
| Lying and Stealing | no | 62 | 19 | too short on depth and logic |
| One Last Night | no | 60 | 71 | Mismatched pair upend rom-com |
| Trespassers | no | 60 | 26 | Your usual home invasion, mostly |
| Chain of Death | no | 60 | incompetently made; nonsensical script | |
| Summer Night | no | 55 | 24 | Bland scenarios in low-stakes tale |
| Miss Arizona | no | 50 | 54 | Empowerment not fit for a queen |
| Silent Panic | no | 47 | Dudes’ ‘Panic’ turns mopey | |
| After the Wedding | no | 45 | 76 | wellappointed, morality-minded adult soap |
| 47 Meters Down: Uncaged | no | 45 | 68 | Soggy sequel |
| The Art of Racing in the Rain | no | 44 | 96 | a little light on doggy insight |
| Supervized | no | 44 | 26 | It sounds more fun than it is |
| Stuber | no | 42 | 79 | This comedy rates one star |
| Girls with Balls | no | 42 | 24 | A silly gorefest — and it’s in French |
| The Operative | no | 41 | espionage drama well acted but largely inert | |
| See You Soon | no | 33 | 62 | No roses for this ‘Bachelor’ clone |
| Into the Ashes | no | 30 | 28 | Familiarity drags ‘Ashes’ down |
| Red Sea Diving Resort | no | 29 | 78 | fumbles the true story about rescuing refugees |
| Iron Sky: The Coming Race | no | 29 | 30 | Goofy sequel can’t be saved |
| Phil | no | 27 | 39 | Kinnear’s debut thinks it’s comedy |
| Otherhood | no | 26 | 54 | Moms’ road trip goes off the rails |
| The Kitchen | no | 23 | 69 | More sizzle than steak |
| Sextuplets | no | 20 | 37 | Many roles but not many laughs |
| She’s Just a Shadow | no | 17 | 40 | Faux edgy thriller offends and bores |
| Awake | no | 14 | missing a certain spark | |
| Saving Zoë | no | 0 | 48 | The mystery plot isn’t surprising enough |
| Killers Anonymous | no | 0 | 16 | a pileup of premises [makes] the movie unwieldy |
| The Second Sun | no | 0 | Hard to get past the coincidences | |
| Better Than Love | no | 100 | Worthy pill too hard to swallow | |
| Ring Ring | no | 72 | odd ‘Ring’ to this horror caper | |
| Boi | no | 33 | Too slick, stylish for its own good | |
| The 16th Episode | no | 14 | Parody, thriller hits a few bumps | |
| The Refuge | no | 14 | bone dry L.A. noir | |
| Escape Plan: The Extractors | no | 10 | Not much to get out of this action | |
| Desolate | no | never really develops an involving enough plot | ||
| South Central Love | no | largely trite and artificial | ||
| The Price for Silence | no | Scattered script undercuts drama |