| LAT | RTMC | RTC | note: “~” = the film's name. *RT fresh | |
| documentary | ||||
| Midnight Traveler | yes | 100 | 79 | *unexpectedly intimate and involving |
| Vision Portraits | yes | 100 | a touching ode to the inner life of all artists | |
| Desolation Center | yes | 100 | DIY desert roots of mega festivals | |
| A German Youth | yes | 100 | Fiendishly researched and smartly constructed | |
| On the President’s Orders | yes | 100 | hateful rhetoric turned policy in the Philippines | |
| Celebration | yes | 100 | feels like an unearthed gem released from a vault | |
| Fiddler: A Miracle of Miracles | yes | 98 | 98 | *tugs at the heart |
| The Cave | yes | 97 | 80 | an underground Syrian hospital under siege |
| Jawline | yes | 97 | 48 | celebrity and loneliness in the digital age. |
| Aga | yes | 96 | 65 | Poetic and striking |
| Raise Hell: The Life and Times of Molly Ivins | yes | 95 | 100 | *revels in late pundit Molly Ivins’ eviscerating humor |
| American Factory | yes | 95 | 80 | *thorough, compelling |
| Miles Davis: Birth of the Cool | yes | 92 | 81 | *captures all the beauty and ugliness |
| The Elephant Queen | yes | 91 | 89 | Incredible images are abundant |
| Don’t Be Nice | yes | 91 | 86 | Pushing poets to find their voices |
| Diego Maradona | yes | 90 | *from cheers to the jeers | |
| Linda Rondstadt: The Sound of My Voice | yes | 89 | 99 | *potent, mind-expanding |
| Anthropocene: The Human Epoch | yes | 89 | 62 | We humans have messed the house |
| Where’s My Roy Cohn? | yes | 87 | 78 | The life of a monster manipulator |
| What You Gonna Do When the World’s on Fire? | yes | 87 | 60 | *indictment of systematic racism |
| Always in Season | yes | 85 | 100 | rightfully disturbing |
| Serendipity | yes | 83 | Facing cancer, artist turns to art | |
| Memory: The Origins of "Alien" | yes | 81 | 92 | *The insights just burst right out |
| Blink of an Eye | yes | 67 | 88 | solidly assembled portrait |
| Heading Home: The Tale of Team Israel | yes | 67 | makes for buoyant viewing | |
| Becoming Nobody | yes | 62 | 71 | enjoyable, though hardly a definitive look |
| Cracked Up | yes | 75 | devastating yet life-affirming | |
| Liberty: Mother of Exiles | yes | HBO exalts the beacon’s abiding glow | ||
| Tell Me Who I Am | so-so | 97 | 88 | Absorbing if incomplete |
| Friedkin Uncut | so-so | 86 | a reverential look | |
| Super Size Me 2: Holy Chicken | so-so | 74 | 77 | largely entertaining, with Spurlock’s smug shtick |
| Emanuel | no | 100 | 98 | lacks in context |
| Gift | no | 100 | 89 | A pretty if trivial doc on creativity |
| Jim Allison: Breakthrough | no | 92 | 100 | glossy dramatic re-creations |
| Moonlight Sonata: Deafness in Three Movements | no | 86 | 88 | doesn’t strike the right chords |
| Buzz | no | A writer’s desires unfold carelessly | ||
| Scared of Revolution | no | doesn’t provide much context | ||
| Rezo | no | Gabriadze’s art is woefully slighted | ||
| animated | ||||
| Promare | yes | 97 | 93 | Day-Glo fantasia of bright action |
| Another Day of Life | yes | 89 | 91 | vividly realized |
| Abominable | yes | 82 | 95 | *surprises and delights |
| The Addams Family | yes | 45 | 69 | a faithful and satisfying version |
| Ne Zha | so-so | 88 | 98 | CG excess and bodily functions, |
| Dilili in Paris | no | 67 | Poor execution upends girl’s tale | |
| regular movies | ||||
| One Cut of the Dead | yes | 100 | 87 | *layered and brilliant horror-comedy |
| Fagara | yes | 100 | 80 | Food and family a satisfying combo |
| The Load | yes | 100 | 75 | The heavy weight of war in Balkans |
| Parasite | yes | 99 | 90 | *a thriller of extraordinary cunning and emotional force |
| First Love | yes | 98 | 88 | *Madcap, jovial thriller-romance |
| Dolemite Is My Name | yes | 97 | 91 | *Eddie Murphy’s back. @#$% yeah |
| Tigers Are Not Afraid | yes | 97 | 82 | *unfolds in a world of hellish incongruities |
| Pain and Glory | yes | 96 | 91 | *A surprise in all ways except its surpassing quality |
| The Blonde One | yes | 93 | tender, hypnotic drama | |
| Monos | yes | 92 | 85 | *When Earth, heaven and war collide |
| The Harvesters | yes | 92 | a profound story of brotherhood | |
| End of the Century | yes | 91 | 71 | *intriguingly told story |
| The Lighthouse | yes | 90 | 72 | *bleak and blisteringly funny squall of a film |
| Send Me to the Clouds | yes | 90 | A soulful journey of self-discovery | |
| Give Me Liberty | yes | 89 | 72 | wonderful rough-hewn realism |
| Brittany Runs a Marathon | yes | 88 | 87 | *A rewarding race to the finish line |
| Freaks | yes | 88 | 86 | *eerie, B-movie thrills |
| Hustlers | yes | 87 | 65 | *smart about its crimes, criminals and consequences |
| Adam | yes | 87 | 43 | superbly acted |
| Downton Abby | yes | 84 | 94 | *charms returning guests and new arrivals |
| Before You Know It | yes | 83 | 56 | *the messy business of parenting; fresh sense of charm |
| Official Secrets | yes | 82 | 89 | *crackling |
| Judy | yes | 82 | 85 | A Joy |
| This Is Not Berlin | yes | 82 | 65 | *exuberant Mexican drama |
| Cyrano, My Love | yes | 81 | 100 | delightful, buoyantly performed period comedy |
| Greener Grass | yes | 81 | *Crazy comedy feels like a cult film in the making | |
| Little Monsters | yes | 79 | 100 | *Zombie-fighting teacher a delight |
| Asako I & II | yes | 78 | 74 | *A rewarding race to the finish line |
| The Plagiarists | yes | 77 | Jagged and acrid, slippery and provocative | |
| Death of Dick Long | yes | 74 | 86 | *oddly amusing |
| The Sky Is Pink | yes | 73 | 91 | Bollywood drama touches the heart |
| The King | yes | 70 | 83 | Shrewd remake of a royal legend |
| Haunt | yes | 69 | 100 | A smart look at what scares them |
| The Day Shall Come | yes | 64 | 51 | Bitter hilarity in a security threat |
| The Sound of Silence | yes | 64 | Aural film strikes the right chord | |
| Itsy Bitsy | yes | 60 | 42 | Creature feature is creepy fun |
| Tone-Deaf | yes | 44 | 32 | Nothing about ~ is routine |
| Vita & Virginia | yes | 41 | 58 | film’s visual language is rich and revealing |
| Maleficent: Mistress of Evil | yes | 39 | 95 | an enjoyably deranged sequel |
| The Goldfinch | yes | 25 | 72 | The pleasures are quiet but real, befitting its Dickens-like source |
| Running With the Devil | yes | 24 | 36 | It doesn't matter that it doesn't make a lick of sense |
| Trauma Is a Time Machine | yes | A tone poem on a woman’s assault | ||
| Genèse | yes | three teens caught up in romantic drama | ||
| Ready Or Not | so-so | 88 | 78 | *heavy layers of irony |
| Ad Astra | so-so | 83 | 40 | *Space odyssey stumbles, soars |
| Auggie | so-so | 82 | 69 | exhaust most of its ideas early, but ... |
| Jojo Rabbit | so-so | 80 | 94 | *turns the weapon of humor on Hitler |
| Between Two Ferns | so-so | 75 | 43 | *semi-amusing |
| Angel of Mine | so-so | 73 | 86 | clichéd thriller premise; effective tension. |
| Low Tide | so-so | 73 | 64 | packs a genuine depth |
| Joker | so-so | 68 | 88 | *Awfully overdetermined |
| Spider in the Web | so-so | 67 | 41 | well-made albeit overly reserved |
| Strange But True | so-so | 55 | 83 | twisty; schlocky charms; tragic secrets |
| The Golden Glove | so-so | 54 | 80 | Depraved drama about a real killer |
| American Dreamer | so-so | 53 | 76 | overwrought, but ... |
| Angel Has Fallen | so-so | 39 | 93 | strangely dull at times, but... |
| Lucy in the Sky | so-so | 21 | 31 | fascinatingly messy |
| Ms. Purple | no | 87 | 70 | Moody silence isn’t nuance |
| Collisions | no | 83 | 100 | compassionate but ultimately underwhelming |
| Neither Wolf Nor Dog | no | 82 | 94 | Native American drama is too slow |
| Loro | no | 79 | 58 | *sometimes beguiling, but strangely engineered |
| Sink or Swim | no | 76 | 80 | Somewhere between a splash and a belly-flop |
| Britt-Marie Was Here | no | 71 | Her ordinary life fails to captivate | |
| Zombieland: Double Tap | no | 69 | 88 | the same old schtick |
| Edie | no | 67 | 74 | A senior’s quest is stuck in the muck |
| It Chapter Two | no | 62 | 78 | not-so-scary sequel |
| Overcomer | no | 56 | 98 | keeps veering off course |
| Burn | no | 54 | 47 | Rather too eager to be in this mess |
| Bennett’s War | no | 50 | 82 | Comeback try is an endurance test |
| Bloodline | no | 50 | 55 | Shocking, but not distinctive |
| Don't Let Go | no | 43 | 79 | too convoluted |
| Laundromat | no | 40 | 40 | playful yet uneven survey of financial chicanery |
| In the Tall Grass | no | 36 | 32 | Creeping terror tires itself out |
| Killerman | no | 30 | 63 | A lethally dumb, would-be thriller |
| Gemini Man | no | 27 | 83 | Two suffering Smiths is too much |
| Rambo: Last Blood | no | 27 | 81 | a truly grisly Grand Guignol horror conclusion |
| Corporate Animals | no | 25 | 16 | whiffs |
| Jexi | no | 19 | 71 | a dumb, lazy film |
| Hot Air | no | 17 | 62 | Humanizing but without humor |
| The Fanatic | no | 16 | 29 | misbegottenl; terrible; dumb |
| Lucky Day | no | 9 | 39 | has a pulp affliction |
| Jacob’s Ladder | no | 4 | 36 | mindlessly action-packed |
| Last Ferry | no | Jumbled stumble into the gay scene | ||
| Next Level | no | Dance musical has two left feet | ||
| Game Day | no | Clichés overrun workplace drama | ||
| Pretenders | no | Impressive cast can’t save this one | ||
| Albanian Gangster | no | Gritty but clichéd |