| LAT | RTMC | RTC | note: “~” = the film's name. *RT fresh | |
| documentary | ||||
| Mucho Mucho Amor | yes | 100 | 91 | *Captures the larger-than-life astrologer |
| Dick Johnson Is Dead | yes | 100 | 78 | *Confronting death with a sly visual wit |
| Slay the Dragon | yes | 100 | 71 | *smarts, energy and integrity |
| A Kid from Coney Island | yes | 100 | 69 | surprising and affecting |
| Journeys Through French Cinema | yes | 100 | 59 | *is one you won’t want to end |
| 2040 | yes | 100 | 47 | Inspiring and empowering |
| Heimat Is a Space in Time | yes | 100 | at times distractingly opaque, occasionally, [but] singularly wise | |
| Ursula von Rydingsvard: Into Her Own | yes | 100 | A fascinating glimpse | |
| Totally Under Control | yes | 99 | 83 | *no shield for chaos |
| Disclosure | yes | 98 | 87 | *transgender portrayals in Hollywood |
| Time | yes | 98 | 50 | *haunting, heartrending |
| The Painter and the Thief | yes | 97 | 85 | sweapingly emotional |
| Human Nature | yes | 97 | 76 | intriguing, mind-tingling |
| Boys State | yes | 95 | 89 | *electifying |
| John Lewis: Good Trouble | yes | 94 | 66 | *affectionate |
| Rebuilding Paradise | yes | 93 | 83 | *powerful film on the Camp fire's toll |
| Yes God, Yes | yes | 93 | 65 | *captures the cringe of young desire, shame |
| The Booksellers | yes | 90 | 76 | *Dealing with more than just the printed word |
| Gordon Lightfoot: If You Could Read My Mind | yes | 89 | 77 | Heatfelt ode to a Canadian musical icon |
| Spaceship Earth | yes | 88 | 61 | captivating experiment in isolation |
| Social Dilemma | yes | 85 | 83 | *A call to digital arms |
| All I Can Say | yes | 84 | 82 | A kaleidoscope video diary |
| The Broken Hearts Gallery | yes | 79 | 88 | *Bubbly spirit propels comedy |
| Elephant | yes | charming but too light on education | ||
| Parkland Rising | so-so | 91 | 92 | Not a particularly introspective film |
| Viral: Antisemitism in Four Mutations | so-so | 87 | too glib at moments, but ... | |
| The Dog Doc | so-so | 86 | warm and fuzzy loses focus at times | |
| And We Go Green | so-so | 80 | Frequently feels like a branding exercise | |
| Cream: America's Only Rock 'n' Roll Magazine | no | 96 | 97 | A fading memory as opposed to a useful example |
| The Rental | no | 74 | 43 | *doesn’t quite fulfill its premise on any front |
| Dosed | no | 69 | 96 | lack of journalistic scrutiny frustrating |
| All In: The Fight for Democracy | yes | 100 | 68 | *wins this endorsement |
| animated | ||||
| Troll's World Tour | yes | 71 | 58 | kids will like the film and adults almost will |
| Scoob! | no | 48 | 53 | just another super-hero movie |
| regular movies | ||||
| Crip Camp: A Disability Revolution | yes | 100 | 91 | *rousing |
| A Secret Love | yes | 100 | 91 | *A truly great love story one for the ages |
| I Will Make You Mine | yes | 100 | 91 | laidback, low-fi charm |
| Driveways | yes | 99 | 83 | *quietly, achingly lovely |
| Forty-Year-Old Version | yes | 99 | 71 | *finds art in all the right places |
| Miss Juneteenth | yes | 99 | 56 | *An unexpectedly timely drama |
| Never Rarely Sometimes Always | yes | 99 | 54 | *searingly confrontational portrait of a teen girl |
| Hamilton | yes | 98 | 89 | *rousingly filmed |
| Blow the Man Down | yes | 98 | 73 | *pleasantly spiky slinging of small-town sin |
| Vitalina Varela | yes | 98 | 59 | *haunting and profoundly haunted |
| The Half Of It | yes | 97 | 81 | *ntfx savvy student Cyrano |
| Palm Springs | yes | 94 | 88 | *breezily entertaining romantic comedy |
| Baby Teeth | yes | 94 | 84 | *A drama of Unruly intelligence |
| Bad Education | yes | 94 | 83 | *Sly and funny drama gets an A+ |
| Possessor | yes | 94 | 59 | *Star turn a cut above |
| Bacurau | yes | 93 | 84 | *Blood gushes, heads roll |
| Bloody Nose, Empty Pockets | yes | 93 | 73 | *So unpredictable and alive |
| Blue Story | yes | 93 | 68 | *Startling tale of gang violence in London |
| Uncorked | yes | 92 | 64 | *nflx like a fine wine |
| The Personal History of David Copperfied | yes | 92 | 54 | *Giving classic tale a fresh face |
| Relic | yes | 92 | 51 | *Reaches an unforgettable end |
| The Wild Goose Lake | yes | 91 | *revelers dance and motorcycles roar | |
| Kajillionaire | yes | 90 | 47 | where childhood and adulthood become indistinguishable |
| Summerland | yes | 88 | 80 | Refreshing take on the classic British formula |
| Deerskin | yes | 88 | 68 | *dark comedy makes for a hair-raising good time. |
| Shirley | yes | 88 | 54 | *A cunning psychological brew |
| The Trip To Greece | yes | 88 | 51 | *a final trip grows pensive |
| Misbehaviour | yes | 86 | 57 | *maked for a memorable pageant |
| Selah and the Spades | yes | 86 | 48 | *An intriguing tale of teen angst and control |
| Cuties | yes | 86 | 15 | *smart and empathetic |
| She Dies Tomorrow | yes | 84 | 23 | **more than a bad feeling; it's like a virus |
| Bill & Ted Face the Music | yes | 83 | 65 | *It's the dudes who remain excellent |
| The Painted Bird | yes | 82 | 68 | *Pristinely photographed compendium |
| Sometimes Always Never | yes | 82 | 67 | *witty, idiosyncratic British film |
| Tigertail | yes | 82 | 66 | *catches viewers by the heartstrings |
| True History of the Kelly Gang | yes | 80 | 41 | *Brutal and spellbinding |
| The Platform | yes | 79 | 72 | *ingenius and brutal allegory |
| How to Build a Girl | yes | 79 | 54 | *sincerely felt and utterly effervescent |
| Tommaso | yes | 79 | 37 | *Quiet grace amid chaos |
| Military Wives | yes | 77 | 52 | *de-pendable-to-a-fault British film |
| The King of Staten Island | yes | 75 | 83 | *King of humor, heartache |
| 7500 | yes | 72 | 52 | Tense thrilly sticks landing |
| An American Pickle | yes | 72 | 44 | An agreeable low key time Travel comedy |
| Vivarium | yes | 72 | 39 | His film chills the mind more than the spine |
| Amulet | yes | 72 | 35 | a zigzagging booby trap of a thriller |
| The One And Only Ivan | yes | 71 | 65 | Offers big ideas for small fry |
| Cut Throut City | yes | 69 | 40 | A crime drama that's not just action |
| Stargirl | yes | 68 | 69 | Letting freak flag fly, Disney+ style |
| The Glorias | yes | 68 | 60 | Steinem gets her due |
| Tesla | yes | 58 | 43 | quietly entrancing |
| Resistance | yes | 56 | 59 | a tense and gripping thriller |
| Waiting For the Barbarians | yes | 54 | 62 | Dramatically stolid sunblasted epic |
| All Day and a Night | yes | 53 | 58 | Bleak meditation on black male identity |
| Arkansas | yes | 51 | 51 | worth a visit |
| Blackbird | yes | 22 | 43 | tender and intelligent |
| Balloon | yes | comes together similar to great escape films | ||
| Yourself and Yours | yes | beguiles with its playful ponderings | ||
| The Audition | yes | Tidy but artful portrait | ||
| Save Yourselves! | so-so | 89 | 60 | *just falls flat |
| On the Rocks | so-so | 87 | 50 | *sweet, undernourished, but well liquored |
| Big Time Adolescence | so-so | 85 | 82 | *missing a narrative beat or two, plus a proper ending |
| To the Stars | so-so | 82 | 71 | Poignant take on the past |
| The Other Lamb | so-so | 75 | 37 | *visually immaculate if dramatically muddled chiller |
| Mulan | so-so | 73 | 47 | *heavy on swords, lacking in magic |
| The High Note | so-so | 71 | 72 | falls a tad flat |
| Extraction | so-so | 67 | 70 | nflx puts action above all else |
| On a Magical Night | so-so | 66 | 27 | the film grows tedious at times, but ... |
| The Devil All Time | so-so | 64 | 79 | weaves many tangled webs |
| I Still Believe | so-so | 49 | 98 | stumbles in its storytelling, but ... |
| The Wrong Missy | so-so | 32 | 49 | Lighthearted and willfully insubstantial |
| The Outpost | no | 92 | 82 | *A viseral depiction of combat but little else |
| Words On Bathroom Walls | no | 89 | 94 | *Serious drama or off kilter rom-com |
| Phoenix, Oregon | no | 82 | 67 | decidedly less than the sum of its proven parts |
| Judy & Punch | no | 77 | 59 | *Prove woefully mismatch duo |
| Lost Girls | no | 74 | 51 | *True-crime tale loses depth |
| Human Capital | no | 68 | 73 | fizzling narrative |
| The Lovebirds | no | 66 | 51 | lands somewhere between “Game Night” and “Date Night” |
| Radioactive | no | 63 | 42 | never entirely discovers the scientist’s spark |
| Valley Girl | no | 59 | 82 | it's the 80's cover-band version |
| Fatima | no | 57 | 96 | Fatima is unlikely to be canonized |
| The Hunt | no | 57 | 66 | Controversial ‘Hunt’ loses its way |
| Lost Transmissions | no | 54 | 40 | Static drowns out romance’s music |
| Unhinged | no | 48 | 77 | crudely sadistic schlock-o-rama |
| The Roads Not Taken | no | 44 | 24 | Baffling trip into ‘parallel worlds’ |
| Irresistible | no | 40 | 62 | rings so false it’s easy to resist |
| Wasp Network | no | 40 | 37 | A tale of two Cubas just skims the surface |
| The New Mutants | no | 35 | 56 | Lingering loose end X-men movie |
| Bloodshot | no | 31 | 78 | supremely silly Diesel vehicle, |
| Antebellum | no | 30 | 50 | High concept lands with a thud |
| The War With Grandpa | no | 29 | 85 | what’s it good for? |
| The Secret: Dare to Dream | no | 28 | 72 | contrived romantic drama |
| Hooking Up | no | 24 | 54 | sub-par script |
| The Postcard Killings | no | 24 | 36 | Art and trash trip over each other |
| The Tax Collector | no | 18 | 72 | a disservice to the Latino community |
| Artemis Fowl | no | 8 | 19 | scrubbed, sanitized and neutered |